{"id":27049,"date":"2026-10-02T23:10:31","date_gmt":"2026-10-02T21:10:31","guid":{"rendered":"https:\/\/mybingemate.com\/news\/transformers-gi-joe-update\/"},"modified":"2026-10-02T23:10:31","modified_gmt":"2026-10-02T21:10:31","slug":"transformers-gi-joe-update","status":"publish","type":"post","link":"https:\/\/mybingemate.com\/news\/transformers-gi-joe-update\/","title":{"rendered":"Bradley Cooper\u2019s Casting Can\u2019t Save the Transformers and G.I. Joe Crossover From a Disappointing Update"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_89 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #ffffff;color:#ffffff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #ffffff;color:#ffffff\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/mybingemate.com\/news\/transformers-gi-joe-update\/#Bradley_Coopers_GI_Joe_Casting_Comes_With_a_Disappointing_Transformers_Crossover_Update\" >Bradley Cooper\u2019s G.I. Joe Casting Comes With a Disappointing Transformers Crossover Update<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/mybingemate.com\/news\/transformers-gi-joe-update\/#One_casting_announcement_two_different_franchise_directions\" >One casting announcement, two different franchise directions<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/mybingemate.com\/news\/transformers-gi-joe-update\/#Why_the_Rise_of_the_Beasts_Tease_Raised_Expectations_for_a_Crossover\" >Why the Rise of the Beasts Tease Raised Expectations for a Crossover<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/mybingemate.com\/news\/transformers-gi-joe-update\/#A_tease_creates_anticipation_not_a_guarantee\" >A tease creates anticipation, not a guarantee<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/mybingemate.com\/news\/transformers-gi-joe-update\/#What_the_Standalone_GI_Joe_Reboot_Means_for_Duke_and_Cobra\" >What the Standalone G.I. Joe Reboot Means for Duke and Cobra<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/mybingemate.com\/news\/transformers-gi-joe-update\/#Duke_as_the_audiences_point_of_entry\" >Duke as the audience\u2019s point of entry<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/mybingemate.com\/news\/transformers-gi-joe-update\/#How_Paramounts_Change_Resets_the_Transformers_Movie_Development_Plan\" >How Paramount\u2019s Change Resets the Transformers Movie Development Plan<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/mybingemate.com\/news\/transformers-gi-joe-update\/#Why_Bradley_Coopers_Casting_Cannot_Replace_the_Crossovers_Appeal\" >Why Bradley Cooper\u2019s Casting Cannot Replace the Crossover\u2019s Appeal<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/mybingemate.com\/news\/transformers-gi-joe-update\/#The_reboot_still_has_room_to_win_audiences\" >The reboot still has room to win audiences<\/a><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Bradley_Coopers_GI_Joe_Casting_Comes_With_a_Disappointing_Transformers_Crossover_Update\"><\/span>Bradley Cooper\u2019s G.I. Joe Casting Comes With a Disappointing Transformers Crossover Update<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">Bradley Cooper joining Paramount\u2019s next <strong>G.I. Joe<\/strong> movie sounds like the kind of casting news that could energize a long-running action franchise. He is set to play Conrad S. Hauser, better known as Duke, the team\u2019s field leader, in a reboot directed by Danny McBride. Yet the announcement arrived with a less welcome revelation: McBride\u2019s film is no longer connected to the planned <strong>Transformers<\/strong> crossover, which Paramount has taken out of development.<\/p>\n\n<p class=\"wp-block-paragraph\">That distinction changes the meaning of the headline. Cooper\u2019s casting may give the standalone reboot a recognizable lead, but it cannot revive a crossover that is no longer moving forward. The latest <strong>film news<\/strong> therefore delivers two sharply different signals: G.I. Joe has a new creative direction, while the shared-universe possibility teased for Transformers fans has stalled.<\/p>\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"One_casting_announcement_two_different_franchise_directions\"><\/span>One casting announcement, two different franchise directions<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n<p class=\"wp-block-paragraph\">According to the reported details, McBride is directing and co-writing the screenplay with Jeff Fradley and John Carcieri. The story is expected to reimagine the G.I. Joe property, focusing on the team\u2019s conflict with Cobra rather than continuing the planned collision with the Autobots. Specific plot information remains limited, so the premise offers the clearest indication of the movie\u2019s current identity.<\/p>\n\n<p class=\"wp-block-paragraph\">For a hypothetical longtime fan named Alex, the news would land as a familiar studio double-take: a major star enters the picture, but the larger event movie disappears from the slate. That is not necessarily bad news for the reboot itself. It does mean that Cooper\u2019s casting should be judged as a creative choice for a G.I. Joe story, not as a substitute for the spectacle of seeing two toy-based worlds share a screen.<\/p>\n\n<p class=\"wp-block-paragraph\">The update has been framed by outlets as a cancellation or the death of the crossover, while the reported wording is more specifically that the project is no longer in development and McBride\u2019s movie has been uncoupled from it. In practical terms, fans should not treat the new G.I. Joe film as the crossover\u2019s next chapter. <a href=\"https:\/\/collider.com\/transformers-gi-joe-crossover-movie-cancelled\/\" target=\"_blank\" rel=\"noopener\">Collider\u2019s report on the project\u2019s status<\/a> likewise centers the change as a decisive break between the two plans.<\/p>\n\n<p class=\"wp-block-paragraph\">That separation is important because a casting announcement can easily overshadow the business and storytelling news attached to it. Cooper is a prominent addition, but the headline\u2019s real tension comes from the simultaneous loss of a promised franchise connection. The immediate takeaway is clear: Paramount is moving ahead with a new Duke, not the crossover fans thought was coming.<\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Why_the_Rise_of_the_Beasts_Tease_Raised_Expectations_for_a_Crossover\"><\/span>Why the Rise of the Beasts Tease Raised Expectations for a Crossover<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">The crossover idea gained momentum because <strong>Transformers: Rise of the Beasts<\/strong> did more than leave room for speculation. Its closing sequence explicitly connected Noah Diaz, played by Anthony Ramos, to a government organization associated with G.I. Joe. After Noah attends a job interview in Brooklyn, Agent Burke, portrayed by Michael Kelly, gives him a business card bearing the organization\u2019s name. It was a compact scene, but it carried the unmistakable energy of a franchise handoff.<\/p>\n\n<p class=\"wp-block-paragraph\">Post-credit and final-scene teases have become a familiar language of blockbuster storytelling. A business card can function like a promise: it suggests that a character\u2019s next step may open a door to another world, and it encourages audiences to imagine what the studio might build next. Here, Noah\u2019s encounter invited viewers to picture the Autobots and Joes sharing a threat, a mission, or at least a brief exchange that would unite their cinematic histories.<\/p>\n\n<p class=\"wp-block-paragraph\">That possibility had particular appeal because the properties have already crossed paths in comic books, while a live-action movie had not brought them together. A crossover could have turned the contrast between alien machines and human military operatives into the central attraction. It also could have given each franchise a fresh supporting role: the Joes might offer tactical intelligence, while the Transformers supplied the scale and technology of an extraterrestrial conflict.<\/p>\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"A_tease_creates_anticipation_not_a_guarantee\"><\/span>A tease creates anticipation, not a guarantee<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n<p class=\"wp-block-paragraph\">Still, a cinematic hint is not the same thing as a completed production plan. Producers, including Lorenzo di Bonaventura, and Paramount had discussed the possibility, and Derek Connolly was attached to write a screenplay combining the properties. Those steps showed that the concept had been considered seriously, but they did not guarantee a greenlit film or establish a final story.<\/p>\n\n<p class=\"wp-block-paragraph\">Alex, the hypothetical fan following the trail from the theater to the latest update, might reasonably have treated Burke\u2019s card as the first piece of a larger puzzle. The new development changes that reading: the scene remains part of Rise of the Beasts, but the project it appeared to foreshadow is no longer in development. The tease can still be enjoyed as a striking wink, even if it no longer serves as a reliable roadmap.<\/p>\n\n<p class=\"wp-block-paragraph\">The gap between audience expectation and studio commitment is one reason the update feels disappointing. The scene placed both brands inside an apparent shared universe, and the crossover talk amplified that impression. Now the card represents an unrealized direction rather than a confirmed bridge. <strong>The franchise lesson is straightforward: a post-credit-style setup can spark years of conversation, but only a sustained movie-development plan can turn that excitement into a film.<\/strong><\/p>\n\n<figure class=\"is-provider-youtube is-type-video wp-block-embed wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Bradley Cooper Joins G. I. Joe Movie As Duke\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/7wnbq6E_93E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"What_the_Standalone_GI_Joe_Reboot_Means_for_Duke_and_Cobra\"><\/span>What the Standalone G.I. Joe Reboot Means for Duke and Cobra<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">With the crossover removed from the plan, McBride\u2019s movie can concentrate on the identity of G.I. Joe itself. The reported premise follows the team as it investigates Springfield, an ordinary American town secretly controlled by Cobra. That setting offers a grounded entry point into a world known for covert operations, military teamwork, and theatrical villains. Instead of beginning with a meeting between humans and alien robots, the film can build tension around a community whose everyday appearance conceals a hostile power structure.<\/p>\n\n<p class=\"wp-block-paragraph\">Springfield is a useful story engine because it gives the Joes a concrete mystery to investigate. A familiar town can become unsettling through small details: residents who repeat the same talking points, businesses that answer to hidden interests, or public institutions that seem normal until the team tests their loyalties. Those are possibilities suggested by the premise, not confirmed plot details, but they illustrate how a contained investigation could give the reboot a distinct shape.<\/p>\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Duke_as_the_audiences_point_of_entry\"><\/span>Duke as the audience\u2019s point of entry<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n<p class=\"wp-block-paragraph\">Cooper\u2019s Duke could serve as the audience\u2019s guide through that environment. Conrad S. Hauser is more than a name on a casting sheet: as the team\u2019s leader, Duke can connect strategic planning with the human cost of a covert mission. A strong version of the character would need to make tactical decisions understandable without turning every scene into exposition, while also showing why the other Joes trust his judgment.<\/p>\n\n<p class=\"wp-block-paragraph\">That balance matters in an action movie. If Duke is presented only as an unshakable commander, the team can feel like equipment arranged around a star. If the film gives him difficult choices\u2014when to protect civilians, how much risk to accept, or whether an apparent ally can be trusted\u2014his authority becomes dramatic rather than merely functional. Cooper\u2019s screen presence may help anchor those moments, but the screenplay and ensemble will determine whether the character feels like a leader with a real inner life.<\/p>\n\n<p class=\"wp-block-paragraph\">There is also a practical advantage to keeping the story focused. A crossover would have required the film to introduce or accommodate two mythologies, multiple character groups, and audience expectations inherited from Transformers. A standalone reboot can spend more time establishing the Joes, Cobra, and the rules of their conflict. That approach does not automatically guarantee a better movie, but it gives McBride and his co-writers a cleaner foundation.<\/p>\n\n<p class=\"wp-block-paragraph\">For Alex, the Springfield premise provides a different kind of anticipation: less about seeing familiar brands collide and more about discovering whether a secret-controlled town can support a tense, character-driven military adventure. <strong>The reboot\u2019s central test is whether Duke and the Joes can make their own world compelling without leaning on another franchise\u2019s robots.<\/strong><\/p>\n\n<figure class=\"is-provider-youtube is-type-video wp-block-embed wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Daily(ish) Dab: Bradley Cooper Cast in new G.I. Joe Movie from Danny McBride + More!!!\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/navLhvj32Gg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"How_Paramounts_Change_Resets_the_Transformers_Movie_Development_Plan\"><\/span>How Paramount\u2019s Change Resets the Transformers Movie Development Plan<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">Paramount\u2019s decision separates two projects that had increasingly been discussed as parts of a shared future. The crossover was one possible next step after Rise of the Beasts, while McBride\u2019s film is now described as a reimagining of G.I. Joe that stands on its own. That is a meaningful reset for <strong>movie development<\/strong>: it changes what audiences can reasonably expect from the next installment and removes the crossover as the immediate connective tissue between the brands.<\/p>\n\n<p class=\"wp-block-paragraph\">The available details do not explain every reason behind the shift, so it would be misleading to claim a specific production dispute or financial calculation caused it. What is confirmed in the reported update is the result: the crossover is no longer in development, and the new G.I. Joe project is uncoupled from it. Studios routinely revise plans as scripts, schedules, budgets, and creative priorities evolve, but audiences usually see only the final decision.<\/p>\n\n<figure class=\"wp-block-table\"><table>\n<thead>\n<tr>\n<th>Project element<\/th>\n<th>Earlier expectation<\/th>\n<th>Current reported direction<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>G.I. Joe movie<\/td>\n<td>Potentially connected to Transformers<\/td>\n<td>Standalone reimagining led by Duke<\/td>\n<\/tr>\n<tr>\n<td>Transformers crossover<\/td>\n<td>Possible continuation of the Rise of the Beasts tease<\/td>\n<td>No longer in development<\/td>\n<\/tr>\n<tr>\n<td>Story focus<\/td>\n<td>Shared world with two major properties<\/td>\n<td>Joes investigating Cobra\u2019s hold on Springfield<\/td>\n<\/tr>\n<tr>\n<td>Production timing<\/td>\n<td>Not confirmed as a crossover schedule<\/td>\n<td>Production expected to begin in early 2027<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/figure>\n\n<p class=\"wp-block-paragraph\">The planned crossover had a writer attached, and discussions around the concept helped make it feel tangible to fans. But an attached screenwriter is not the same as a finished script, and a studio tease is not a production start date. The current timetable points toward early 2027 production for McBride\u2019s standalone movie, giving the creative team time to define its tone and assemble the project without needing to stage a meeting between the properties.<\/p>\n\n<p class=\"wp-block-paragraph\">For viewers tracking every <strong>film news<\/strong> update, the distinction between \u201cnot in development\u201d and \u201cnever possible under any circumstances\u201d is worth preserving. The former accurately describes the project\u2019s current status; it does not prove that no future creative team could ever revisit the idea. Still, there is no basis in the reported update to treat a revival as planned or imminent. <a href=\"https:\/\/screenrant.com\/gi-joe-transformers-crossover-movie-status-update-cancelled-paramount\/\" target=\"_blank\" rel=\"noopener\">ScreenRant\u2019s status coverage<\/a> also reflects the gap between the abandoned crossover plan and the new reboot direction.<\/p>\n\n<p class=\"wp-block-paragraph\">The schedule now gives the standalone film a clearer lane, while leaving Transformers\u2019 broader big-screen future separate from this particular G.I. Joe project. <strong>For now, Paramount has replaced a shared-universe expectation with two distinct franchise questions.<\/strong><\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Why_Bradley_Coopers_Casting_Cannot_Replace_the_Crossovers_Appeal\"><\/span>Why Bradley Cooper\u2019s Casting Cannot Replace the Crossover\u2019s Appeal<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">Star casting can attract attention, establish a movie\u2019s tone, and give a reboot a recognizable center. It cannot recreate the specific appeal of a crossover, which comes from seeing distinct story worlds interact. Bradley Cooper as Duke is a substantial casting headline, but it answers a different question from the one fans were asking after Rise of the Beasts: not \u201cWill the Joes meet the Autobots?\u201d but \u201cWho will lead this new version of the Joes?\u201d<\/p>\n\n<p class=\"wp-block-paragraph\">That difference explains the mixed reaction. Cooper brings an established screen identity to a character who has often represented discipline and command within the G.I. Joe team. Yet the crossover promised a particular kind of spectacle: military strategy meeting transforming alien technology, with the potential for new alliances and clashes. Even an excellent performance in a standalone movie would not deliver that promised combination.<\/p>\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_reboot_still_has_room_to_win_audiences\"><\/span>The reboot still has room to win audiences<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n<p class=\"wp-block-paragraph\">The casting should not be dismissed simply because the crossover was dropped. A reboot has to persuade viewers that its characters and conflict can sustain a film on their own. Cooper\u2019s Duke could help establish that foundation if the role is written with personality, vulnerability, and a clear reason to lead. The Springfield investigation also offers a distinct setting that can separate the movie from generic battlefield action.<\/p>\n\n<p class=\"wp-block-paragraph\">For the film to succeed, the supporting Joes will need more than brief introductions, and Cobra must feel like an organization with credible influence rather than a convenient collection of villains. A town secretly controlled by Cobra creates opportunities for suspense and investigative storytelling, but the movie will need to show how that control works and why it is difficult to break. Those choices will matter more than the mere presence of a famous actor.<\/p>\n\n<p class=\"wp-block-paragraph\">The surrounding entertainment conversation can also blur unrelated headlines together. A discussion of <a href=\"https:\/\/mybingemate.com\/news\/wwz2-f1-success-excitement\/\">how franchise momentum and blockbuster success shape audience excitement<\/a> belongs to a broader industry context, not to evidence about Paramount\u2019s decision or this movie\u2019s prospects. Keeping those stories separate helps readers distinguish general box-office chatter from confirmed G.I. Joe developments.<\/p>\n\n<p class=\"wp-block-paragraph\">Cooper\u2019s arrival gives the reboot a new focal point, while the crossover\u2019s removal takes away an event-sized promise. Those realities can coexist: the casting may be exciting, and the update may still disappoint fans who wanted the two properties to meet. <strong>The next meaningful measure will be whether the standalone story earns attention on its own terms, beginning with the Joes\u2019 mission in Springfield and the character Cooper brings to Duke.<\/strong><\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>Bradley Cooper\u2019s G.I. Joe Casting Comes With a Disappointing Transformers Crossover Update Bradley Cooper joining Paramount\u2019s next G.I. Joe movie sounds like the kind of casting news that could energize a long-running action franchise. He is set to play Conrad S. Hauser, better known as Duke, the team\u2019s field leader, in a reboot directed by &#8230; <a title=\"Bradley Cooper\u2019s Casting Can\u2019t Save the Transformers and G.I. Joe Crossover From a Disappointing Update\" class=\"read-more\" href=\"https:\/\/mybingemate.com\/news\/transformers-gi-joe-update\/\" aria-label=\"En savoir plus sur Bradley Cooper\u2019s Casting Can\u2019t Save the Transformers and G.I. Joe Crossover From a Disappointing Update\">Lire plus<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-27049","post","type-post","status-publish","format-standard","hentry","category-movies","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-33"],"_links":{"self":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts\/27049","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/comments?post=27049"}],"version-history":[{"count":0,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts\/27049\/revisions"}],"wp:attachment":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/media?parent=27049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/categories?post=27049"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/tags?post=27049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}