{"id":27103,"date":"2026-10-04T14:15:27","date_gmt":"2026-10-04T12:15:27","guid":{"rendered":"https:\/\/mybingemate.com\/news\/kidman-phoenix-thriller\/"},"modified":"2026-10-04T14:15:27","modified_gmt":"2026-10-04T12:15:27","slug":"kidman-phoenix-thriller","status":"publish","type":"post","link":"https:\/\/mybingemate.com\/news\/kidman-phoenix-thriller\/","title":{"rendered":"Rediscover Nicole Kidman and Joaquin Phoenix\u2019s Overlooked Thriller, an 88%-Rated Gem Available for a Limited Time"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_89 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #ffffff;color:#ffffff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #ffffff;color:#ffffff\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/mybingemate.com\/news\/kidman-phoenix-thriller\/#Why_To_Die_For_Still_Feels_Uncomfortably_Modern\" >Why To Die For Still Feels Uncomfortably Modern<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/mybingemate.com\/news\/kidman-phoenix-thriller\/#A_small-town_dream_with_a_dangerous_cost\" >A small-town dream with a dangerous cost<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/mybingemate.com\/news\/kidman-phoenix-thriller\/#Nicole_Kidman_and_Joaquin_Phoenix_Build_a_Compellingly_Uneasy_Pairing\" >Nicole Kidman and Joaquin Phoenix Build a Compellingly Uneasy Pairing<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/mybingemate.com\/news\/kidman-phoenix-thriller\/#Joaquin_Phoenix_as_a_vulnerable_recruit\" >Joaquin Phoenix as a vulnerable recruit<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/mybingemate.com\/news\/kidman-phoenix-thriller\/#How_To_Die_For_Turns_a_Crime_Film_into_a_Media_Satire\" >How To Die For Turns a Crime Film into a Media Satire<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/mybingemate.com\/news\/kidman-phoenix-thriller\/#Satire_grounded_in_recognizable_behavior\" >Satire grounded in recognizable behavior<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/mybingemate.com\/news\/kidman-phoenix-thriller\/#What_the_88_Rotten_Tomatoes_Score_Says_About_Its_Legacy\" >What the 88% Rotten Tomatoes Score Says About Its Legacy<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/mybingemate.com\/news\/kidman-phoenix-thriller\/#A_film_that_rewards_a_second_look\" >A film that rewards a second look<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/mybingemate.com\/news\/kidman-phoenix-thriller\/#To_Die_Fors_Limited-Time_Netflix_Window_and_Viewing_Details\" >To Die For\u2019s Limited-Time Netflix Window and Viewing Details<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/mybingemate.com\/news\/kidman-phoenix-thriller\/#What_to_notice_during_a_rewatch\" >What to notice during a rewatch<\/a><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Why_To_Die_For_Still_Feels_Uncomfortably_Modern\"><\/span>Why To Die For Still Feels Uncomfortably Modern<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">Nearly three decades after its release, <strong>To Die For<\/strong> remains a sharply observed story about ambition, image-making and the hunger to be watched. Nicole Kidman plays Suzanne Stone, a small-town woman who believes a television career is not merely a dream but her rightful destiny. When her husband Larry seems to obstruct that future, Suzanne turns murder into a calculated step toward the spotlight.<\/p>\n\n<p class=\"wp-block-paragraph\">The premise sounds sensational, yet the film\u2019s real subject is the ordinary language Suzanne uses to make extraordinary cruelty seem reasonable. She frames her choices as career moves, treating people as obstacles or useful connections. That chillingly practical outlook gives the movie its force as both a <strong>psychological thriller<\/strong> and a <strong>dark comedy<\/strong>: the laughs come from recognizing the performance, while the unease comes from seeing how completely she believes it.<\/p>\n\n<p class=\"wp-block-paragraph\">Gus Van Sant directs from Buck Henry\u2019s adaptation of Joyce Maynard\u2019s novel, shaping the story around interviews and documentary-style fragments as well as conventional scenes. The shifting presentation makes Suzanne\u2019s version of events feel like a media product assembled for an audience. Instead of simply watching a crime unfold, viewers watch a would-be celebrity turn that crime into a narrative in which she hopes to star.<\/p>\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"A_small-town_dream_with_a_dangerous_cost\"><\/span>A small-town dream with a dangerous cost<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n<p class=\"wp-block-paragraph\">Suzanne\u2019s marriage to Larry, played by Matt Dillon, gives her ambition a domestic setting. She does not see their relationship as a shared life that might require compromise; she sees Larry as the person blocking her access to television. That gap between her glossy self-image and the damage she causes is central to the film\u2019s satire. Her confidence is magnetic, but it is also a warning sign.<\/p>\n\n<p class=\"wp-block-paragraph\">The story\u2019s media setting remains recognizable in an era when personal branding and viral notoriety can blur together. Suzanne\u2019s instinct to use public attention as a form of advancement anticipates a culture in which a scandal can become a platform and visibility can be mistaken for success. The film does not need smartphones or social feeds to make that point; its portrait of ambition already understands the appeal of an audience.<\/p>\n\n<p class=\"wp-block-paragraph\">That cultural observation is one reason the movie works beyond its plot mechanics. Its central question is not simply whether Suzanne can get away with murder, but what happens when a person treats attention as proof of worth. <strong>The film makes fame feel less like a prize than a system that rewards the most shameless performance.<\/strong><\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Nicole_Kidman_and_Joaquin_Phoenix_Build_a_Compellingly_Uneasy_Pairing\"><\/span>Nicole Kidman and Joaquin Phoenix Build a Compellingly Uneasy Pairing<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">Kidman\u2019s performance is the film\u2019s bright, unnerving center. Suzanne is relentlessly composed, and that composure becomes more disturbing as her actions grow more reckless. Kidman makes the character\u2019s cheerfulness feel like a tool: a practiced surface that can charm an interviewer, reassure an acquaintance or conceal a ruthless calculation. The performance depends on control rather than constant theatricality, which makes Suzanne\u2019s self-invention all the more believable.<\/p>\n\n<p class=\"wp-block-paragraph\">Her character is not written as a conventional criminal mastermind with a detailed plan for every possibility. Instead, Suzanne relies on confidence, persuasion and the assumption that she can keep directing the story around her. Kidman captures the gap between that conviction and the consequences gathering outside her carefully managed image. The result is funny in the way a polished public persona can be funny, then startling when the mask slips.<\/p>\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Joaquin_Phoenix_as_a_vulnerable_recruit\"><\/span>Joaquin Phoenix as a vulnerable recruit<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n<p class=\"wp-block-paragraph\">Joaquin Phoenix plays Jimmy, a troubled teenager whom Suzanne draws into her scheme. His performance gives the plot an important counterweight: where Suzanne sees a means to an end, Jimmy is a young person with emotional vulnerabilities that she knows how to exploit. Phoenix keeps him from becoming merely a device in her plan, conveying a mixture of insecurity, eagerness and confusion that makes the manipulation feel personal.<\/p>\n\n<p class=\"wp-block-paragraph\">The age and power imbalance between the characters deepens the film\u2019s moral tension. Suzanne presents herself as a guide to a more exciting life, but the promise is part of her strategy. Jimmy\u2019s involvement shows how charisma can function as a form of coercion, especially when it comes from someone who appears certain about the future. Phoenix\u2019s restrained presence makes the consequences feel less abstract than the media spectacle Suzanne hopes to create.<\/p>\n\n<p class=\"wp-block-paragraph\">Matt Dillon\u2019s Larry and Casey Affleck\u2019s supporting role help fill out the social world Suzanne treats as a stage. Their presence matters because her ambition does not unfold in isolation: it damages people with different relationships to her and different levels of power. The cast makes the scheme feel embedded in a community, not simply staged as a clever plot twist.<\/p>\n\n<figure class=\"is-provider-youtube is-type-video wp-block-embed wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"He Discovered Her Affair \u2014 Then Everything Fell Apart | Thriller Movie\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/WPP_bRtNm_8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<p class=\"wp-block-paragraph\">The early-career Phoenix and the already magnetic Kidman create an especially revealing contrast. One performs certainty as a weapon; the other makes vulnerability visible beneath the surface. <strong>Their uneasy dynamic gives the thriller an emotional core that outlasts the mechanics of the crime.<\/strong><\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"How_To_Die_For_Turns_a_Crime_Film_into_a_Media_Satire\"><\/span>How To Die For Turns a Crime Film into a Media Satire<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">Although the murder plot gives <strong>To Die For<\/strong> the structure of a <strong>crime film<\/strong>, its distinctive energy comes from the way it examines the telling of that crime. Interview segments and documentary-like passages interrupt the action, allowing the story to seem filtered through public testimony and carefully arranged accounts. This approach makes the viewer question not only what happened, but who has the power to define what happened.<\/p>\n\n<p class=\"wp-block-paragraph\">Suzanne understands that a story can be shaped by presentation. She wants to appear polished, sympathetic and destined for success, even as her choices become increasingly destructive. The camera\u2019s attention becomes part of the joke: she is always auditioning, even when the circumstances should make performance impossible. The film\u2019s form therefore mirrors its protagonist\u2019s worldview, where every experience might be edited into a pitch for fame.<\/p>\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Satire_grounded_in_recognizable_behavior\"><\/span>Satire grounded in recognizable behavior<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n<p class=\"wp-block-paragraph\">The comedy is dark because it does not soften the harm. Suzanne\u2019s ambition can be absurd, but the people affected by it are not punchlines. That balance allows the satire to target the culture around her rather than simply invite viewers to laugh at an eccentric villain. The film asks how an audience\u2019s appetite for outrageous personalities can reward behavior that should instead provoke alarm.<\/p>\n\n<p class=\"wp-block-paragraph\">Its <strong>true crime inspiration<\/strong> is also part of the film\u2019s appeal, though the finished story is a fictional adaptation of Joyce Maynard\u2019s novel rather than a documentary account. The connection to real-world crime culture gives the premise an extra charge: public fascination with murder can turn tragedy into entertainment, and the movie deliberately exposes that appetite. It invites viewers to notice their own curiosity as they follow Suzanne\u2019s bid for attention.<\/p>\n\n<p class=\"wp-block-paragraph\">That tension still resonates across <strong>1990s cinema<\/strong> and contemporary viewing habits alike. Today, audiences encounter real crimes through documentaries, podcasts and streaming series, often in formats that promise both information and suspense. Van Sant\u2019s film feels prescient because it sees how quickly a person\u2019s suffering can become a compelling media storyline, especially when the central figure knows how to perform for the lens.<\/p>\n\n<figure class=\"is-provider-youtube is-type-video wp-block-embed wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"This movie will surprise you! \ud83d\udd25 Thriller - One missing man leads to a web of hidden secrets \ud83c\udfac\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/W9AsmJw6UA0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<p class=\"wp-block-paragraph\">The movie\u2019s formal choices are not decoration; they show how spectacle can distort judgment. By making Suzanne\u2019s self-presentation part of the storytelling, <strong>To Die For turns the audience\u2019s attention into one of its sharpest subjects.<\/strong><\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"What_the_88_Rotten_Tomatoes_Score_Says_About_Its_Legacy\"><\/span>What the 88% Rotten Tomatoes Score Says About Its Legacy<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">The film\u2019s critical reputation remains strong. <strong>Rotten Tomatoes lists an 88% Tomatometer score from 68 reviews<\/strong>, while its audience score is 66% based on more than 25,000 ratings. Those figures point to an interesting divide: critics have tended to emphasize the film\u2019s controlled satire and performance work, while viewers may respond differently to its deliberately chilly characters and unsettling humor.<\/p>\n\n<p class=\"wp-block-paragraph\">That gap does not mean the movie has lost its audience. Rather, it reflects the kind of experience it offers. Suzanne is fascinating to watch, but the film does not make her easy to admire, and its comedy often leaves an uncomfortable aftertaste. People looking for a straightforward thriller may find the mock-documentary structure and shifting tone unexpected; viewers drawn to character studies may find those same qualities the reason to return.<\/p>\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"A_film_that_rewards_a_second_look\"><\/span>A film that rewards a second look<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n<p class=\"wp-block-paragraph\">IMDb\u2019s listed rating is approximately 6.8 out of 10 from around 61,000 users, another useful measure of how a film can occupy a lasting place without becoming universally beloved. The numbers provide context, not a verdict. A rewatch can reveal how carefully the film plants its critique in Suzanne\u2019s small gestures: the way she talks about opportunity, manages impressions and treats other people as supporting cast.<\/p>\n\n<p class=\"wp-block-paragraph\">For viewers who first encountered Kidman in later dramatic roles, this performance offers a different kind of transformation. Suzanne\u2019s polished exterior is not simply a disguise that falls away; it is a persona she has built so thoroughly that she seems to inhabit it. Phoenix\u2019s performance provides the contrasting human scale, reminding viewers that a scheme that looks like media spectacle from a distance is experienced as real danger by the people caught in it.<\/p>\n\n<p class=\"wp-block-paragraph\">The film has also had a durable afterlife in discussions of celebrity culture and dark comedy. Its influence is less about a single visual trick than a way of looking at public image: fame is not presented as a neutral reward but as a system that can amplify manipulation. The <a href=\"https:\/\/www.criterion.com\/films\/32358-to-die-for\" target=\"_blank\" rel=\"noopener\">Criterion Collection\u2019s presentation of To Die For<\/a> reflects the film\u2019s ongoing value as more than a nostalgic thriller.<\/p>\n\n<p class=\"wp-block-paragraph\">Critical scores can help a viewer decide what to try, but they cannot capture the film\u2019s peculiar mixture of wit and dread. <strong>Its lasting achievement is making the pursuit of attention feel both ridiculous and frighteningly plausible.<\/strong><\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"To_Die_Fors_Limited-Time_Netflix_Window_and_Viewing_Details\"><\/span>To Die For\u2019s Limited-Time Netflix Window and Viewing Details<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">For streaming viewers, timing matters. The film has a limited-time streaming window on Netflix, with availability listings identifying <strong>October 7, 2026<\/strong> as its final day on the service. Catalog dates can vary by country and may change, so viewers should check the title\u2019s local Netflix listing rather than assume that every region follows the same schedule.<\/p>\n\n<p class=\"wp-block-paragraph\">The story is especially suited to a focused watch rather than casual background viewing. Its changes in format, shifts between comedy and suspense, and carefully managed performances reward attention. A viewer who notices how Suzanne speaks differently in public-facing moments than in private scenes can see the film\u2019s central joke sharpen: she is not merely trying to become a television personality; she is already treating life as a broadcast.<\/p>\n\n<figure class=\"wp-block-table\"><table>\n<thead>\n<tr>\n<th>Viewing detail<\/th>\n<th>Information<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Film<\/td>\n<td>To Die For<\/td>\n<\/tr>\n<tr>\n<td>Release year<\/td>\n<td>1995<\/td>\n<\/tr>\n<tr>\n<td>Director<\/td>\n<td>Gus Van Sant<\/td>\n<\/tr>\n<tr>\n<td>Key cast<\/td>\n<td>Nicole Kidman, Joaquin Phoenix, Matt Dillon and Casey Affleck<\/td>\n<\/tr>\n<tr>\n<td>Netflix listing date<\/td>\n<td>October 7, 2026; regional availability may differ<\/td>\n<\/tr>\n<tr>\n<td>Rotten Tomatoes Tomatometer<\/td>\n<td>88% from 68 reviews, according to the supplied listing<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/figure>\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"What_to_notice_during_a_rewatch\"><\/span>What to notice during a rewatch<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n<p class=\"wp-block-paragraph\">A useful way to approach the movie is to track how each character understands the story. Suzanne treats events as material for her public image; Jimmy responds to personal promises; Larry\u2019s family sees the consequences of a crime that cannot be edited into a glamorous career narrative. Those competing perspectives make the film\u2019s escalation feel more substantial than a simple plot puzzle.<\/p>\n\n<ul class=\"wp-block-list\"><li><strong>Watch Suzanne\u2019s public performance:<\/strong> her polished manner reveals how consciously she manages other people\u2019s impressions.<\/li><li><strong>Notice the documentary-style interruptions:<\/strong> they make the audience consider who controls a story after a crime.<\/li><li><strong>Follow Jimmy\u2019s changing position:<\/strong> his vulnerability shows the human cost beneath Suzanne\u2019s ambition.<\/li><li><strong>Pay attention to the tonal shifts:<\/strong> the humor makes the suspense sharper rather than cancelling it.<\/li><\/ul>\n\n<p class=\"wp-block-paragraph\">Netflix viewers can check the <a href=\"https:\/\/www.netflix.com\/title\/1051468\" target=\"_blank\" rel=\"noopener\">film\u2019s Netflix page<\/a> for current regional availability, while the <a href=\"https:\/\/www.rottentomatoes.com\/m\/1066712-to_die_for\" target=\"_blank\" rel=\"noopener\">Rotten Tomatoes listing<\/a> provides its review and audience-score context. For a synopsis and cast reference, the <a href=\"https:\/\/www.imdb.com\/title\/tt0114681\/\" target=\"_blank\" rel=\"noopener\">IMDb entry for the 1995 film<\/a> offers another convenient guide.<\/p>\n\n<p class=\"wp-block-paragraph\">A short streaming window gives the rediscovery a practical deadline, but the reason to watch is larger than a ticking date. <strong>To Die For remains a pointed, entertaining study of what happens when the desire to be seen overwhelms the ability to see other people clearly.<\/strong><\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>Why To Die For Still Feels Uncomfortably Modern Nearly three decades after its release, To Die For remains a sharply observed story about ambition, image-making and the hunger to be watched. Nicole Kidman plays Suzanne Stone, a small-town woman who believes a television career is not merely a dream but her rightful destiny. When her &#8230; <a title=\"Rediscover Nicole Kidman and Joaquin Phoenix\u2019s Overlooked Thriller, an 88%-Rated Gem Available for a Limited Time\" class=\"read-more\" href=\"https:\/\/mybingemate.com\/news\/kidman-phoenix-thriller\/\" aria-label=\"En savoir plus sur Rediscover Nicole Kidman and Joaquin Phoenix\u2019s Overlooked Thriller, an 88%-Rated Gem Available for a Limited Time\">Lire plus<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-27103","post","type-post","status-publish","format-standard","hentry","category-movies","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-33"],"_links":{"self":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts\/27103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/comments?post=27103"}],"version-history":[{"count":0,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts\/27103\/revisions"}],"wp:attachment":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/media?parent=27103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/categories?post=27103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/tags?post=27103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}