{"id":27733,"date":"2026-10-21T23:10:36","date_gmt":"2026-10-21T21:10:36","guid":{"rendered":"https:\/\/mybingemate.com\/news\/clayface-review-dcu-cameo\/"},"modified":"2026-10-21T23:10:36","modified_gmt":"2026-10-21T21:10:36","slug":"clayface-review-dcu-cameo","status":"publish","type":"post","link":"https:\/\/mybingemate.com\/news\/clayface-review-dcu-cameo\/","title":{"rendered":"A Clayface Review Accidentally Reveals a Surprise Cameo in an Unexpected DCU Movie\u2014and It\u2019s Not Batman"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_89 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #ffffff;color:#ffffff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #ffffff;color:#ffffff\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/mybingemate.com\/news\/clayface-review-dcu-cameo\/#Clayface_Review_Accidentally_Reveals_Rob_Brydons_Surprise_Cameo\" >Clayface Review Accidentally Reveals Rob Brydon\u2019s Surprise Cameo<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/mybingemate.com\/news\/clayface-review-dcu-cameo\/#Why_Batman_Speculation_Followed_the_DCU_Movie\" >Why Batman Speculation Followed the DCU Movie<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/mybingemate.com\/news\/clayface-review-dcu-cameo\/#No_Post-Credits_Scene_Means_Clayface_Can_Stand_on_Its_Own\" >No Post-Credits Scene Means Clayface Can Stand on Its Own<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/mybingemate.com\/news\/clayface-review-dcu-cameo\/#What_Rob_Brydons_Talk-Show_Cameo_Adds_to_the_Horror\" >What Rob Brydon\u2019s Talk-Show Cameo Adds to the Horror<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/mybingemate.com\/news\/clayface-review-dcu-cameo\/#Clayface_Cast_Release_Details_and_the_Bigger_DCU_Picture\" >Clayface Cast, Release Details, and the Bigger DCU Picture<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Clayface_Review_Accidentally_Reveals_Rob_Brydons_Surprise_Cameo\"><\/span>Clayface Review Accidentally Reveals Rob Brydon\u2019s Surprise Cameo<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">The most unexpected detail to emerge from an early <strong>Clayface movie review<\/strong> is not a glimpse of Batman, a secret villain, or a tease for the next major crossover. It is the appearance of Welsh actor and comedian Rob Brydon, whose cameo as a talk-show host has been confirmed by an early review from The Times. The reveal gives the DCU horror film a small but striking pop-culture connection beyond its grim central transformation.<\/p>\n\n<p class=\"wp-block-paragraph\">Brydon is best known to many viewers for the sitcom <em>Gavin &amp; Stacey<\/em> and the wry travel-comedy series <em>The Trip<\/em>. Those performances make his casting an intriguing fit: a familiar face associated with sharp comic timing is entering a story built around a disfigured actor and body horror. His role is described as a talk-show host, a figure who can plausibly bring the public spectacle of celebrity into a film about identity, performance, and a body that refuses to stay fixed.<\/p>\n\n<p class=\"wp-block-paragraph\">The cameo\u2019s appeal lies partly in the contrast. A talk-show set is designed to make its guests look composed and presentable; Clayface\u2019s story, by contrast, draws on grotesque physical change and the fear of losing control over one\u2019s appearance. Even a brief appearance can sharpen that tension. A host asking polished questions may become an unsettling mirror for a character whose life is being remade in ways no camera-friendly interview can contain.<\/p>\n\n<p class=\"wp-block-paragraph\">The report also illustrates how an <strong>accidental reveal<\/strong> can travel faster than a traditional trailer. A review written to assess a film may mention a supporting performance in passing, yet that detail can quickly become the headline. For a production whose marketing depends on atmosphere and surprise, a cameo is both a useful talking point and a reminder that early screenings create a delicate balance between criticism and spoiler protection.<\/p>\n\n<p class=\"wp-block-paragraph\">Coverage of the film has already drawn attention to its horror approach, including <a href=\"https:\/\/deadline.com\/2026\/10\/clayface-review-dcu-batman-villain-origin-story-body-horror-1237169912\/\" target=\"_blank\" rel=\"noopener\">Deadline\u2019s discussion of the DCU body-horror origin story<\/a> and <a href=\"https:\/\/variety.com\/2026\/film\/reviews\/clayface-review-1236918659\/\" target=\"_blank\" rel=\"noopener\">Variety\u2019s review coverage<\/a>. The cameo adds a different angle to that conversation: it suggests the film\u2019s world can accommodate recognizable performers without turning every appearance into a superhero-universe clue.<\/p>\n\n<p class=\"wp-block-paragraph\">For a viewer such as Mara, a fictional fan who follows Gotham stories but also enjoys British comedy, Brydon\u2019s name could be the detail that makes an early review impossible to scroll past. The surprise is not that he suddenly becomes a costumed hero; it is that a familiar comic performer appears in an otherwise unsettling setting. That sort of casting can make a fictional world feel unexpectedly lived-in, especially when the role is grounded in the media culture surrounding its lead character.<\/p>\n\n<p class=\"wp-block-paragraph\">As with any early review, the distinction between a confirmed fact and a larger interpretation matters. Brydon\u2019s cameo and talk-show-host role are the reported specifics; the broader meaning of the scene depends on what the finished film shows. The strongest takeaway is therefore modest but revealing: <strong>Clayface\u2019s surprise cameo is real, while the Dark Knight remains absent from the news that exposed it.<\/strong><\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Why_Batman_Speculation_Followed_the_DCU_Movie\"><\/span>Why Batman Speculation Followed the DCU Movie<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">Batman speculation did not appear out of nowhere. Clayface is one of the Dark Knight\u2019s famous comic-book adversaries, and the film is set in Gotham City, a place audiences instinctively associate with Batman. Put those two facts together and a cameo begins to seem plausible, even when no official announcement or trailer has promised one.<\/p>\n\n<p class=\"wp-block-paragraph\">That expectation is part of the way shared universes train audiences to watch. A street sign, a police radio, or a brief mention of a familiar character can become a potential clue. Viewers like Mara may enter a Gotham-set story expecting the city\u2019s most famous resident to appear in person, particularly when the central character has a long history as a Batman foe. Yet a setting can carry meaning without requiring its best-known hero to walk into every story.<\/p>\n\n<p class=\"wp-block-paragraph\">There is also a creative reason the film may keep Batman outside its frame. A character-led horror movie can build suspense by narrowing its focus to one person\u2019s body, relationships, and deteriorating sense of self. If Batman arrived to investigate, the story could shift toward a familiar crime-solving dynamic. That might be entertaining, but it would also change the genre\u2019s center of gravity, moving attention from intimate terror toward a superhero confrontation.<\/p>\n\n<p class=\"wp-block-paragraph\">The distinction matters for the DCU. A shared universe does not have to make every movie a connective puzzle; its range depends on stories being allowed to establish their own rhythms. A film can take place in Gotham, use a Batman-associated character, and still operate as a largely self-contained horror experience. That approach is consistent with the idea that a <strong>superhero film<\/strong> can draw from comic-book mythology without relying on a cameo to validate its place in a larger continuity.<\/p>\n\n<p class=\"wp-block-paragraph\">Fan interest is understandable, but the available screening reports have reportedly ruled out a mid-credits or post-credits scene. That means there is no reported final tag designed to introduce Batman or tease his arrival. The difference between an absent cameo and a delayed one is important: the film may leave the broader DCU open for future stories while choosing not to use its ending as a promotional bridge.<\/p>\n\n<p class=\"wp-block-paragraph\">Some early coverage has attempted to sort verified details from rumor, including <a href=\"https:\/\/www.forbes.com\/sites\/paultassi\/2026\/10\/12\/dcus-clayface-early-reviews-plagued-by-fake-spoilers-and-misinformation\/\" target=\"_blank\" rel=\"noopener\">reporting on misinformation surrounding early reactions<\/a>. That context is useful because a claim repeated across social media can sound like confirmation even when it began as speculation. The responsible reading is to separate what reviews actually disclose from what fans hope the film might contain.<\/p>\n\n<p class=\"wp-block-paragraph\">Batman\u2019s absence can therefore function as a deliberate boundary rather than a missed opportunity. Gotham supplies atmosphere, history, and a relationship to the comics, while Clayface remains the focus. For this particular DCU movie, the more revealing question is not when Batman will interrupt the story, but what a Gotham horror story can accomplish when it stands on its own.<\/p>\n\n<figure class=\"is-provider-youtube is-type-video wp-block-embed wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Clayface Is DC&amp;apos;s Biggest Swing in Years (Spoiler-Free Review)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/BSI_OoQQjM4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<p class=\"wp-block-paragraph\">That separation naturally leads to the film\u2019s ending and the larger question of how much connective tissue a new shared universe really needs.<\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"No_Post-Credits_Scene_Means_Clayface_Can_Stand_on_Its_Own\"><\/span>No Post-Credits Scene Means Clayface Can Stand on Its Own<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">Reports from early screenings indicate that <strong>Clayface has neither a mid-credits scene nor a post-credits scene<\/strong>. For viewers trained by years of franchise storytelling to remain seated until the lights come up, that detail may feel surprising. It also changes how audiences should approach the film: the reported ending is not a coded announcement of Batman\u2019s casting or a hidden trailer for the next DCU chapter.<\/p>\n\n<p class=\"wp-block-paragraph\">Post-credits scenes became a recognizable ritual because they offered a compact promise of what might come next. A character could appear in a new location, a mysterious object could change hands, or a short exchange could point toward a crossover. The device can be exciting, but when every installment uses it, viewers may begin to judge a story by the sequel it advertises rather than by the experience it delivers in the present.<\/p>\n\n<p class=\"wp-block-paragraph\">For a horror film, withholding that familiar tag can be especially effective. The last moments of a frightening story often rely on emotional aftershock: a disturbing image, a character\u2019s uncertain fate, or the lingering sense that something has changed permanently. A jokey stinger or sudden superhero reveal could break that mood. If Clayface wants its audience to leave thinking about transformation and identity, a clean ending may serve the material better than a continuity teaser.<\/p>\n\n<p class=\"wp-block-paragraph\">Imagine Mara sitting through the credits expecting a shadowy figure to appear. If nothing follows, the initial disappointment could become a useful reminder: the movie has not promised that every Gotham story must turn into a Batman announcement. Instead, the viewer is left with the work itself. That is not a guarantee that the film will never connect to another DCU project; it simply means the reported theatrical version does not use a credits scene to make that connection explicit.<\/p>\n\n<p class=\"wp-block-paragraph\">The approach also gives the studio room to distinguish different corners of the universe. A large crossover can use recognizable cameos as part of its appeal, while a more contained feature can concentrate on tone and character. News about a possible broader DCU crossover has encouraged speculation, as reflected in coverage of a <a href=\"https:\/\/mybingemate.com\/news\/dcu-crossover-film-trademark\/\">reported DCU crossover-film trademark<\/a>, but that kind of discussion is separate from what Clayface\u2019s own credits reportedly contain.<\/p>\n\n<p class=\"wp-block-paragraph\">Likewise, stories about how the project draws on horror traditions should not be mistaken for evidence of a hidden Batman scene. Coverage of the film\u2019s genre influences, including discussion of <a href=\"https:\/\/mybingemate.com\/news\/clayface-sam-raimi-horror\/\">horror elements associated with Sam Raimi\u2019s style<\/a>, points toward a conversation about mood and filmmaking, not proof of a crossover. Keeping those categories distinct helps prevent a speculative feature from turning into an assumed plot point.<\/p>\n\n<p class=\"wp-block-paragraph\">There is a practical benefit to this restraint. A self-contained final beat can make the film easier to recommend to viewers who are curious about horror but less invested in tracking every DCU release. Its story can be discussed on its own terms, while devoted fans remain free to look for thematic connections elsewhere. In this case, the absence of a tag is itself a meaningful choice: <strong>the movie appears to close its own curtain rather than use the credits to summon Batman.<\/strong><\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"What_Rob_Brydons_Talk-Show_Cameo_Adds_to_the_Horror\"><\/span>What Rob Brydon\u2019s Talk-Show Cameo Adds to the Horror<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">A talk-show host may seem like a minor part in a movie about a disfigured actor, but the setting offers a natural way to explore the relationship between fame and appearance. Talk shows turn private lives into public performances. Guests are expected to tell a compelling story, respond quickly, and present a version of themselves that an audience can recognize. Those demands become more unsettling when a character\u2019s face and body are no longer stable.<\/p>\n\n<p class=\"wp-block-paragraph\">Clayface\u2019s premise makes performance more than a professional skill. The central figure\u2019s identity is bound to acting, and the possibility of physical transformation raises questions that go beyond makeup or celebrity image. What happens when the face that helped define a career becomes unfamiliar? How does a person negotiate public attention when their body seems to have its own agenda? A host\u2019s questions can make those issues visible without requiring a long exposition scene.<\/p>\n\n<p class=\"wp-block-paragraph\">That is where Brydon\u2019s screen persona may prove useful. Viewers familiar with his comic work may arrive with expectations of wit, warmth, and conversational ease. Placing a recognizable performer in a disturbing context can create friction: the audience understands the social ritual, but the story around it feels wrong. Horror often depends on that kind of contrast, using ordinary places and familiar behavior to make the abnormal seem closer.<\/p>\n\n<p class=\"wp-block-paragraph\">The cameo could also connect the film\u2019s bodily horror to media scrutiny. A guest appearance might suggest a character is being asked to narrate a crisis before he has understood it himself. The camera wants a clean anecdote; the person on the sofa may have a story that resists tidy packaging. Even if Brydon\u2019s scene is brief, that tension can echo the film\u2019s larger concern with the gap between a public image and a private self.<\/p>\n\n<p class=\"wp-block-paragraph\">Other reported creative details surrounding the project have encouraged close attention to its tone. Discussion of a possible dance sequence, for instance, suggests interest in performance as physical expression, while coverage of Mike Flanagan\u2019s involvement in the film\u2019s development has focused attention on its horror credentials. Neither point establishes the meaning of Brydon\u2019s scene, but both show why audiences are examining how theatricality and fear might intersect.<\/p>\n\n<p class=\"wp-block-paragraph\">For Mara, the moment could work like a tonal hinge. She recognizes a familiar entertainer, notices the bright artificiality of the studio, and then senses that the scene is not simply a comic detour. That is the advantage of a cameo that belongs to the world rather than merely decorating it. The performer\u2019s presence can contribute to the film\u2019s ideas about celebrity, spectatorship, and the pressure to remain presentable.<\/p>\n\n<p class=\"wp-block-paragraph\">It is important not to inflate a confirmed casting detail into a full plot description. The available information identifies Brydon as a talk-show host, but it does not establish how long he appears or what happens during the scene. The value of the reveal is that it opens an interpretive possibility: <strong>a polished public interview may become an especially uneasy stage for a story about a body in crisis.<\/strong><\/p>\n\n<figure class=\"is-provider-youtube is-type-video wp-block-embed wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"CLAYFACE Had Everything to Be GREAT... So Why Did It Disappoint? | Review\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/RS6MHbkcL2E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<p class=\"wp-block-paragraph\">That performance-based reading also makes the casting of the lead actor and the film\u2019s wider supporting ensemble worth examining without turning every role into a spoiler.<\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Clayface_Cast_Release_Details_and_the_Bigger_DCU_Picture\"><\/span>Clayface Cast, Release Details, and the Bigger DCU Picture<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">Tom Rhys Harries plays the title character, placing the film\u2019s emotional burden on an actor tasked with carrying both a human drama and a horror transformation. The supporting cast includes David Dencik, Max Minghella, Eddie Marsan, and Joshua James, alongside Brydon\u2019s talk-show-host cameo. Those names signal a substantial ensemble, but the reported information does not assign every performer a specific role, so speculation should remain separate from confirmed casting.<\/p>\n\n<p class=\"wp-block-paragraph\">The film is rated R and is scheduled to open in North American theaters on October 23, 2026. That date places it firmly in the theatrical conversation for the year, while the rating indicates that the production is intended for mature audiences rather than a broad family outing. For anyone choosing a screening, the combination of body-horror subject matter and the rating is more useful guidance than assumptions based on the wider DC Comics brand.<\/p>\n\n<p class=\"wp-block-paragraph\">Its release also gives the DCU an opportunity to show tonal range. The label can encompass heroic spectacle, serialized storytelling, and a horror-focused feature without forcing every project into the same visual or emotional register. If a viewer knows the character mainly as a Batman adversary, this movie offers a chance to encounter him as the center of a story rather than as an obstacle in someone else\u2019s adventure.<\/p>\n\n<p class=\"wp-block-paragraph\">Coverage of the film\u2019s casting and creative direction provides additional context, including reporting on <a href=\"https:\/\/mybingemate.com\/news\/clayface-tom-rhys-harries\/\">Tom Rhys Harries in the lead role<\/a> and the project\u2019s <a href=\"https:\/\/mybingemate.com\/news\/clayface-dc-film-lead-cast\/\">supporting cast<\/a>. Those details help establish the production\u2019s scale, but they do not change the central news from the early review: Brydon\u2019s brief appearance is the surprise cameo, and Batman is not the unexpected guest.<\/p>\n\n<p class=\"wp-block-paragraph\">The distinction between character history and film structure is crucial for a comic-book adaptation. Clayface\u2019s connection to Batman gives the story a long cultural shadow, yet an adaptation can select one part of that history and develop it independently. The result need not erase the character\u2019s comic-book roots; it can make them more interesting by asking what a frightening origin story looks like before a familiar hero arrives to define the conflict.<\/p>\n\n<p class=\"wp-block-paragraph\">That choice has implications for how audiences evaluate the movie. A review should be able to discuss acting, atmosphere, horror craft, and pacing without treating the lack of a Batman cameo as a failure. Conversely, a fan hoping for a first on-screen DCU Batman appearance should not interpret Gotham\u2019s presence as a promise. The reports point toward a film whose immediate purpose is to tell a Clayface story, while the Dark Knight\u2019s expected DCU debut remains associated with <em>The Brave and the Bold<\/em>.<\/p>\n\n<p class=\"wp-block-paragraph\">That upcoming project is expected to be directed by Andy Muschietti, but DC Studios has not officially confirmed its Batman casting. Names such as Tom Brittney have surfaced in early reports, yet no choice should be presented as settled without an announcement. For now, the projects occupy different places in the conversation: Clayface brings horror to Gotham, while the eventual casting of Batman remains an open question.<\/p>\n\n<p class=\"wp-block-paragraph\">Seen together, the release date, mature rating, ensemble, and cameo sketch a film positioned to expand the DCU\u2019s palette rather than simply advance its next crossover. <strong>The most dependable expectation is a horror-led Clayface story with a notable comic performer in a small role\u2014not a Batman reveal hidden in the credits.<\/strong><\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>Clayface Review Accidentally Reveals Rob Brydon\u2019s Surprise Cameo The most unexpected detail to emerge from an early Clayface movie review is not a glimpse of Batman, a secret villain, or a tease for the next major crossover. It is the appearance of Welsh actor and comedian Rob Brydon, whose cameo as a talk-show host has &#8230; <a title=\"A Clayface Review Accidentally Reveals a Surprise Cameo in an Unexpected DCU Movie\u2014and It\u2019s Not Batman\" class=\"read-more\" href=\"https:\/\/mybingemate.com\/news\/clayface-review-dcu-cameo\/\" aria-label=\"En savoir plus sur A Clayface Review Accidentally Reveals a Surprise Cameo in an Unexpected DCU Movie\u2014and It\u2019s Not Batman\">Lire plus<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-27733","post","type-post","status-publish","format-standard","hentry","category-movies","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-33"],"_links":{"self":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts\/27733","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/comments?post=27733"}],"version-history":[{"count":0,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts\/27733\/revisions"}],"wp:attachment":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/media?parent=27733"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/categories?post=27733"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/tags?post=27733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}