{"id":27760,"date":"2026-10-22T19:10:36","date_gmt":"2026-10-22T17:10:36","guid":{"rendered":"https:\/\/mybingemate.com\/news\/rickman-pine-netflix-comedy\/"},"modified":"2026-10-22T19:10:36","modified_gmt":"2026-10-22T17:10:36","slug":"rickman-pine-netflix-comedy","status":"publish","type":"post","link":"https:\/\/mybingemate.com\/news\/rickman-pine-netflix-comedy\/","title":{"rendered":"Laugh Along with Alan Rickman and Chris Pine in Their Comedy, Now Streaming on Netflix"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_89 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #ffffff;color:#ffffff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #ffffff;color:#ffffff\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/mybingemate.com\/news\/rickman-pine-netflix-comedy\/#Why_Bottle_Shock_Is_a_Distinctive_Alan_Rickman_and_Chris_Pine_Comedy\" >Why Bottle Shock Is a Distinctive Alan Rickman and Chris Pine Comedy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/mybingemate.com\/news\/rickman-pine-netflix-comedy\/#How_Bottle_Shock_Turns_the_Judgment_of_Paris_Into_Comedy-Drama\" >How Bottle Shock Turns the Judgment of Paris Into Comedy-Drama<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/mybingemate.com\/news\/rickman-pine-netflix-comedy\/#Alan_Rickman_and_Chris_Pine_Give_the_Bottle_Shock_Cast_Its_Spark\" >Alan Rickman and Chris Pine Give the Bottle Shock Cast Its Spark<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/mybingemate.com\/news\/rickman-pine-netflix-comedy\/#What_Bottle_Shocks_Reviews_and_Box_Office_Say_About_Its_Reception\" >What Bottle Shock\u2019s Reviews and Box Office Say About Its Reception<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/mybingemate.com\/news\/rickman-pine-netflix-comedy\/#Why_Bottle_Shock_Fits_a_Netflix_Movie_Night\" >Why Bottle Shock Fits a Netflix Movie Night<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Why_Bottle_Shock_Is_a_Distinctive_Alan_Rickman_and_Chris_Pine_Comedy\"><\/span>Why Bottle Shock Is a Distinctive Alan Rickman and Chris Pine Comedy<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\"><strong>Bottle Shock<\/strong> brings Alan Rickman and Chris Pine together in a comedy-drama about wine, family tensions, and a surprising moment in California history. Released in 2008, the film revisits the 1976 \u201cJudgment of Paris,\u201d when California wines made a remarkable showing against French wines in a blind tasting.<\/p>\n\n<p class=\"wp-block-paragraph\">The premise gives the movie an unusual blend of ingredients: an international contest, the ambitions of a Napa Valley winery, and a clash between people who see wine as business, craft, or simply a good time. That combination makes it more than a conventional underdog story, even as the movie uses familiar crowd-pleasing rhythms to keep the history approachable.<\/p>\n\n<p class=\"wp-block-paragraph\">Rickman plays Steven Spurrier, the British wine merchant who travels to California looking for bottles to include in a Paris tasting. His character arrives with a sense of superiority and a practical plan, then finds that Napa\u2019s wines may upset his expectations. Rickman\u2019s dry delivery gives the role a comic edge: Spurrier can be snobbish, but his reactions also reveal a man discovering that the world is not following his script.<\/p>\n\n<p class=\"wp-block-paragraph\">Pine plays Bo Barrett, the easygoing son of Chateau Montelena owner Jim Barrett, portrayed by Bill Pullman. Bo\u2019s relaxed manner contrasts with his father\u2019s pressure-filled approach to running the winery. Their strained relationship helps anchor the story emotionally, giving the wine competition a family dimension rather than leaving it as a parade of tastings and vineyard scenery.<\/p>\n\n<p class=\"wp-block-paragraph\">The pairing is a major part of the film\u2019s appeal. Rickman\u2019s precise, controlled humor works against Pine\u2019s loose, youthful energy, while Pullman adds a more grounded presence to the Barrett family story. The wider <strong>cast<\/strong> includes Rachael Taylor, Freddy Rodriguez, Dennis Farina, Bradley Whitford, Miguel Sandoval, and Eliza Dushku, with several other performers appearing in smaller roles.<\/p>\n\n<p class=\"wp-block-paragraph\">That range of characters makes the film feel busy in a way that suits its setting. A winery is not just a picturesque backdrop: it is a workplace, a family business, and a community where each person has a different stake in the harvest and the contest. For a viewer settling in for a <strong>movie night<\/strong>, Bottle Shock offers enough character friction and period detail to complement its comedy without turning the subject into a lecture.<\/p>\n\n<p class=\"wp-block-paragraph\">The film is now available on <strong>Netflix<\/strong> as of October 22, 2026, according to the supplied streaming information. Viewers can check the platform\u2019s <a href=\"https:\/\/www.netflix.com\/title\/70084240\" target=\"_blank\" rel=\"noopener\">Bottle Shock listing on Netflix<\/a> for availability in their region; streaming catalogs can differ by country and change over time.<\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"How_Bottle_Shock_Turns_the_Judgment_of_Paris_Into_Comedy-Drama\"><\/span>How Bottle Shock Turns the Judgment of Paris Into Comedy-Drama<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">The historical event behind <strong>Bottle Shock<\/strong> was a blind tasting held in Paris in 1976. British wine merchant Steven Spurrier organized the competition, bringing California wines into a setting where French bottles were widely expected to dominate. When the results favored California selections, the tasting challenged assumptions about where world-class wine could be made.<\/p>\n\n<p class=\"wp-block-paragraph\">That real event was a serious, indoor evaluation, not an action-packed showdown. The film reshapes it for the screen by emphasizing personal rivalries, family pressures, and comic misunderstandings along the way. This is a familiar adaptation strategy: a complicated historical episode becomes easier to follow when the audience can connect it to a few memorable characters and clear stakes.<\/p>\n\n<p class=\"wp-block-paragraph\">Spurrier\u2019s trip provides the story with a simple engine. He wants affordable wines that can make an impression in Paris, but his visit to Napa Valley brings him face to face with wineries whose ambitions exceed his expectations. The official premise centers on his surprise at encountering an impressive Chardonnay and his determination to take California bottles back to France.<\/p>\n\n<p class=\"wp-block-paragraph\">The screenplay, written by Randall Miller, Jody Savin, and Ross Schwartz, places the competition alongside the Barret family\u2019s struggles. Jim Barrett runs the business, while Bo works as a cellar hand and has a more informal relationship with the operation. The film heightens the conflict between father and son, using it to give the wine story a personal pulse.<\/p>\n\n<p class=\"wp-block-paragraph\">That distinction matters when assessing the movie as history. The real Jim Barrett managed the winery, while Bo\u2019s work was rooted in the practical labor of the cellar. The movie\u2019s relationship drama is fictionalized, so it should be approached as an interpretation rather than a documentary account. Its broad outline draws on an actual contest, but its scenes and personalities serve the needs of a feature film.<\/p>\n\n<p class=\"wp-block-paragraph\">For a casual viewer, this balance can make the subject inviting. A tasting score might seem abstract on its own; a family argument about responsibility, ambition, and the future of a winery gives that score consequences. In the same way, Spurrier\u2019s comic discomfort turns a change in wine culture into a character experience: he has to reconsider what he thought he knew.<\/p>\n\n<p class=\"wp-block-paragraph\">The real achievement of the Judgment of Paris was not that one country permanently defeated another. It was that a blind tasting made it harder to dismiss wines by origin alone. Bottle Shock converts that idea into accessible <strong>entertainment<\/strong>, using humor and drama to make a turning point in wine history legible without suggesting that every cinematic detail is literal.<\/p>\n\n<p class=\"wp-block-paragraph\">For readers interested in the historical background, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Bottle_Shock\" target=\"_blank\" rel=\"noopener\">the film\u2019s background and production history<\/a> provide a starting point for separating the real tasting from the screenplay\u2019s inventions. The distinction enriches the watch: the history supplies the framework, while the characters supply the film\u2019s momentum.<\/p>\n\n<figure class=\"is-provider-youtube is-type-video wp-block-embed wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"HILARIOUS CHRIS PINE BLOOPERS (Wonder Woman, Dungeons and Dragons, The Princess Diaries, Star Trek)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/1LHBoA4-hUU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Alan_Rickman_and_Chris_Pine_Give_the_Bottle_Shock_Cast_Its_Spark\"><\/span>Alan Rickman and Chris Pine Give the Bottle Shock Cast Its Spark<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">Rickman and Pine make an unexpectedly effective screen pairing because they approach comedy from opposite directions. Rickman\u2019s performance as Spurrier is composed and exact, built around pauses, cool observations, and the impression that he would prefer the world to behave with better manners. Pine\u2019s Bo is looser and more buoyant, a character whose casual confidence can irritate his father as much as it charms the audience.<\/p>\n\n<p class=\"wp-block-paragraph\">The contrast gives even ordinary conversations a bit of energy. When Spurrier encounters Napa\u2019s wines, Rickman can suggest surprise without abandoning the character\u2019s cultivated reserve. Pine, meanwhile, makes Bo\u2019s informality feel like a point of view rather than a gag; he is not simply the carefree son, but someone trying to find a place in a family business shaped by his father\u2019s expectations.<\/p>\n\n<p class=\"wp-block-paragraph\">Pullman\u2019s Jim Barrett supplies the emotional counterweight. He plays a proprietor under pressure, carrying the responsibility of keeping a winery afloat while managing a difficult relationship with his son. That tension helps prevent the comedy from floating away from the consequences of the story. The wine contest matters, but so does the question of whether Jim and Bo can understand each other.<\/p>\n\n<p class=\"wp-block-paragraph\">The ensemble expands the film\u2019s sense of community. Rachael Taylor, Freddy Rodriguez, Dennis Farina, Bradley Whitford, Miguel Sandoval, and Eliza Dushku join the principal group, while Kirk Baily, Louis Giambalvo, Laurie O\u2019Brien, Joe Regalbuto, Mary Pat Gleason, Mark Famiglietti, and director Randall Miller appear in smaller roles. Those supporting parts create a busy world around the central family and Spurrier\u2019s visit.<\/p>\n\n<p class=\"wp-block-paragraph\">Rickman\u2019s casting is especially memorable because the real Spurrier was a successful 34-year-old wine entrepreneur with an established business. The movie instead presents him as a more visibly struggling outsider, letting his formality and dry <strong>humor<\/strong> bounce off the informality of California wine country. The shift is not a strict biographical portrait; it is a performance choice that gives the screenplay a clear comic foil.<\/p>\n\n<p class=\"wp-block-paragraph\">Pine\u2019s appearance in the film also stands out as an early-career snapshot for viewers who know him from later screen roles. Here, his performance is less about heroic polish than about youthful ease and a slightly rebellious streak. Watching the two actors together can be part of the film\u2019s appeal: one performer makes restraint funny, while the other makes spontaneity feel purposeful.<\/p>\n\n<p class=\"wp-block-paragraph\">The result is an ensemble comedy-drama rather than a one-star showcase. Rickman may provide the most immediately recognizable comic flavor, but Pine and Pullman give the story its family tension, and the supporting cast fills out the social setting. Their differing energies are what make this unlikely Napa gathering feel like a movie rather than a history lesson.<\/p>\n\n<p class=\"wp-block-paragraph\">That interplay is also why the film can work for viewers with no special interest in wine. The tasting supplies the stakes, but personality drives the scenes. Anyone curious about the full lineup can consult <a href=\"https:\/\/www.imdb.com\/title\/tt0914797\/\" target=\"_blank\" rel=\"noopener\">Bottle Shock\u2019s cast and film details<\/a> before pressing play.<\/p>\n\n<figure class=\"is-provider-youtube is-type-video wp-block-embed wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Alan Rickman in Bottle Shock\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/gSiKWY4SWH8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"What_Bottle_Shocks_Reviews_and_Box_Office_Say_About_Its_Reception\"><\/span>What Bottle Shock\u2019s Reviews and Box Office Say About Its Reception<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\"><strong>Bottle Shock<\/strong> received a mixed response when it arrived in theaters. Its appeal lies in a charming premise and a recognizable ensemble, while some viewers and critics have been less persuaded by the liberties it takes with the historical record. The divide is understandable: audiences looking for a light wine-country comedy may welcome the dramatization, while viewers expecting a close reconstruction of the 1976 tasting may notice what has been reshaped.<\/p>\n\n<p class=\"wp-block-paragraph\">The film\u2019s Rotten Tomatoes figures reflect that split, with a 48% Tomatometer score and a 59% Popcornmeter score in the supplied data. These numbers are measures of reception, not verdicts on whether a movie is worth watching. They suggest a title that connected more with some general viewers than with critics, while still attracting a divided audience overall.<\/p>\n\n<p class=\"wp-block-paragraph\">Its financial performance was modest. According to The Numbers, Bottle Shock earned about $4.8 million worldwide against a reported production budget of $5 million. That places the theatrical run near the film\u2019s stated production cost, but a box-office comparison alone does not account for marketing, distribution expenses, or later revenue from home viewing and licensing.<\/p>\n\n<p class=\"wp-block-paragraph\">For a streaming-era audience, the film\u2019s value is not defined solely by its original theatrical totals. A title can find fresh viewers years after release when a platform makes it easy to discover, especially if its cast includes familiar names or its subject connects to a broader cultural interest. Netflix\u2019s 2026 availability gives curious viewers a convenient route to revisit this 2008 release.<\/p>\n\n<p class=\"wp-block-paragraph\">There is also a useful distinction between popularity and cultural staying power. The Judgment of Paris remains a frequently discussed event because it challenged established ideas about wine quality and national prestige. Bottle Shock is one screen interpretation of that story, and its continued presence in streaming conversations shows how a historical subject can keep attracting attention even when the movie\u2019s reviews remain mixed.<\/p>\n\n<p class=\"wp-block-paragraph\">Viewers can use the ratings as context rather than a checklist. Someone drawn to Rickman\u2019s precise comic timing may enjoy the film\u2019s performance style; a wine enthusiast may be more interested in comparing the dramatized plot with the real tasting. A family-drama fan might focus on Jim and Bo, while a viewer seeking a fast-paced competition film could find the story more relaxed than expected.<\/p>\n\n<p class=\"wp-block-paragraph\">Those different expectations explain why a mixed critical profile does not make the film uninteresting. Its appeal depends on which element a viewer values most: the cast, the California setting, the history, or the blend of comedy and drama. The numbers tell part of the story, but the film\u2019s particular combination of personalities is what gives it a second life on <strong>streaming<\/strong>.<\/p>\n\n<p class=\"wp-block-paragraph\">For another overview of the movie\u2019s place in the current streaming conversation, <a href=\"https:\/\/www.comingsoon.net\/movies\/news\/2203163-alan-rickman-chris-pine-bottle-shock-coming-to-netflix\" target=\"_blank\" rel=\"noopener\">this report on Bottle Shock\u2019s Netflix arrival<\/a> connects the release to the renewed interest in Rickman and Pine\u2019s collaboration. That context makes the title easy to spot among newer releases, even though its story looks back several decades.<\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Why_Bottle_Shock_Fits_a_Netflix_Movie_Night\"><\/span>Why Bottle Shock Fits a Netflix Movie Night<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">As of October 22, 2026, <strong>Bottle Shock<\/strong> is available to stream on Netflix according to the supplied platform information. Its compact premise makes it an easy choice for viewers who want a film with a clear setting and an ensemble cast, but not a relentless pace. The mix of family conflict, wine-country atmosphere, and understated comedy gives a movie night several different points of entry.<\/p>\n\n<p class=\"wp-block-paragraph\">A useful way to approach it is to decide what kind of viewing experience sounds appealing. For a light evening, the banter between Rickman\u2019s Spurrier and the California characters provides an accessible comic thread. For a more reflective watch, the story\u2019s family dynamics and the question of who gets taken seriously in a changing industry give the film more to chew on.<\/p>\n\n<p class=\"wp-block-paragraph\">It can also pair naturally with a small tasting at home, provided the wine remains secondary to the movie. Viewers might choose one California Chardonnay and one French white, then compare impressions without treating the exercise as a reenactment of the 1976 competition. The point is not to declare a winner; it is to notice how setting, expectation, and taste shape the experience.<\/p>\n\n<p class=\"wp-block-paragraph\">That kind of companion activity reflects the spirit of the story without pretending to reproduce the original event. A blind tasting depends on carefully controlled conditions, and casual home comparisons are not equivalent to a formal competition. Still, asking guests to taste before seeing a label can make the film\u2019s central idea\u2014judging the glass rather than the reputation\u2014feel vivid and personal.<\/p>\n\n<p class=\"wp-block-paragraph\">The movie\u2019s tone also suits a mixed group. Wine aficionados can bring historical context, while viewers unfamiliar with Napa Valley can follow the family story and the clash of personalities. Rickman\u2019s dry delivery offers a recognizable comic hook, and Pine\u2019s relaxed performance keeps the film from feeling too formal or academic.<\/p>\n\n<p class=\"wp-block-paragraph\">For a quick pre-watch refresher, the key details are straightforward:<\/p>\n\n<ul class=\"wp-block-list\"><li><strong>Film:<\/strong> Bottle Shock, a comedy-drama released in 2008.<\/li><li><strong>Central event:<\/strong> The 1976 Judgment of Paris blind tasting, where California wines outperformed French competitors.<\/li><li><strong>Lead performances:<\/strong> Alan Rickman as Steven Spurrier and Chris Pine as Bo Barrett, with Bill Pullman as Jim Barrett.<\/li><li><strong>Streaming note:<\/strong> The supplied information lists the film on Netflix from October 22, 2026; regional availability can vary.<\/li><\/ul>\n\n<p class=\"wp-block-paragraph\">That checklist offers enough background to follow the film without giving away its character turns. Its setting is also a change of pace from the crowded cityscapes and high-concept worlds that dominate many streaming recommendations. Napa\u2019s vineyards, cellar rooms, and tasting tables provide a quieter visual rhythm, while the personal conflicts keep the story moving.<\/p>\n\n<p class=\"wp-block-paragraph\">Netflix availability can change, so the platform page is the most direct place to check whether the title appears in a particular region. For additional viewing information, <a href=\"https:\/\/www.themoviedb.org\/movie\/13996-bottle-shock\" target=\"_blank\" rel=\"noopener\">Bottle Shock\u2019s movie listing<\/a> offers another reference point. For a relaxed <strong>movie night<\/strong>, the film\u2019s appeal is its mix of familiar star power and a real historical upset told with a generous measure of comic license.<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>Why Bottle Shock Is a Distinctive Alan Rickman and Chris Pine Comedy Bottle Shock brings Alan Rickman and Chris Pine together in a comedy-drama about wine, family tensions, and a surprising moment in California history. Released in 2008, the film revisits the 1976 \u201cJudgment of Paris,\u201d when California wines made a remarkable showing against French &#8230; <a title=\"Laugh Along with Alan Rickman and Chris Pine in Their Comedy, Now Streaming on Netflix\" class=\"read-more\" href=\"https:\/\/mybingemate.com\/news\/rickman-pine-netflix-comedy\/\" aria-label=\"En savoir plus sur Laugh Along with Alan Rickman and Chris Pine in Their Comedy, Now Streaming on Netflix\">Lire plus<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-27760","post","type-post","status-publish","format-standard","hentry","category-what-to-watch-on-streaming","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-33"],"_links":{"self":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts\/27760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/comments?post=27760"}],"version-history":[{"count":0,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts\/27760\/revisions"}],"wp:attachment":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/media?parent=27760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/categories?post=27760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/tags?post=27760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}