{"id":27859,"date":"2026-10-25T13:10:33","date_gmt":"2026-10-25T12:10:33","guid":{"rendered":"https:\/\/mybingemate.com\/news\/forgotten-island-ghibli-magic\/"},"modified":"2026-10-25T13:10:33","modified_gmt":"2026-10-25T12:10:33","slug":"forgotten-island-ghibli-magic","status":"publish","type":"post","link":"https:\/\/mybingemate.com\/news\/forgotten-island-ghibli-magic\/","title":{"rendered":"\u2018Forgotten Island\u2019 Directors on the Studio Ghibli Magic Behind DreamWorks\u2019 New Fantasy Adventure"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_89 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #ffffff;color:#ffffff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #ffffff;color:#ffffff\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/mybingemate.com\/news\/forgotten-island-ghibli-magic\/#How_Forgotten_Island_Uses_Animation_to_Make_Memory_Visible\" >How Forgotten Island Uses Animation to Make Memory Visible<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/mybingemate.com\/news\/forgotten-island-ghibli-magic\/#Forgotten_Islands_Propulsive_Pacing_Turns_Friendship_Into_an_Adventure\" >Forgotten Island\u2019s Propulsive Pacing Turns Friendship Into an Adventure<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/mybingemate.com\/news\/forgotten-island-ghibli-magic\/#Studio_Ghiblis_Influence_on_Forgotten_Islands_Mythical_Worldbuilding\" >Studio Ghibli\u2019s Influence on Forgotten Island\u2019s Mythical Worldbuilding<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/mybingemate.com\/news\/forgotten-island-ghibli-magic\/#Personal_Roots_and_Filipino_Representation_Behind_DreamWorks_Fantasy_Adventure\" >Personal Roots and Filipino Representation Behind DreamWorks\u2019 Fantasy Adventure<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/mybingemate.com\/news\/forgotten-island-ghibli-magic\/#Forgotten_Islands_Memory_Stakes_and_2026_Release_Details\" >Forgotten Island\u2019s Memory Stakes and 2026 Release Details<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"How_Forgotten_Island_Uses_Animation_to_Make_Memory_Visible\"><\/span>How Forgotten Island Uses Animation to Make Memory Visible<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">In <strong>Forgotten Island<\/strong>, visual style is not simply a decorative layer placed over a fantasy adventure. Directors Joel Crawford and Januel Mercado treat animation as a way to show how memory feels: vivid, unstable, personal, and sometimes different from one friend\u2019s recollection to another\u2019s. That idea gives DreamWorks\u2019 film a visual identity distinct from the studio\u2019s familiar looks, while keeping each stylistic choice tied to the story\u2019s emotional point of view.<\/p>\n\n<p class=\"wp-block-paragraph\">Crawford explained that the filmmakers began by asking what the central idea should look like on screen. Their answer was memory itself. A scene can shift in appearance depending on who is remembering it, allowing the animation to express a character\u2019s personality rather than merely illustrating events. A shared night between Jo and Raissa, for example, does not have to feel like an objective record; it can carry the glow, exaggeration, or fragmented detail that either girl associates with it.<\/p>\n\n<p class=\"wp-block-paragraph\">That flexibility connects the project to <strong>Puss in Boots: The Last Wish<\/strong>, where a fairy-tale visual language supported a story about a character forced to reckon with mortality. But Crawford sees DreamWorks\u2019 willingness to vary its style as a longer-running creative tradition, not a sudden departure. He pointed to the studio\u2019s earlier work, including <strong>The Prince of Egypt<\/strong> and <strong>Shrek<\/strong>, as films that also challenged expectations about how an animated feature should look.<\/p>\n\n<p class=\"wp-block-paragraph\">The distinction matters because a single \u201chouse style\u201d can make very different stories feel visually interchangeable. Here, the filmmakers\u2019 approach lets the form change with the emotional temperature. A memory can feel playful and heightened, while a moment of uncertainty can become less polished or more dreamlike. Those decisions invite the audience to read the images as part of the storytelling, noticing not only what Jo and Raissa encounter but how their experiences reshape the world around them.<\/p>\n\n<p class=\"wp-block-paragraph\">The visual experimentation also gives the film room to balance comedy, action, and vulnerability without making them feel like separate ingredients. If the island\u2019s imagery becomes exuberant during a party-like adventure, that energy can reflect the girls\u2019 experience of time passing quickly. When the pace and visuals later become more restrained, the contrast carries emotional weight because the audience has already been immersed in the characters\u2019 momentum.<\/p>\n\n<p class=\"wp-block-paragraph\">For viewers tracking contemporary animation, this is part of a broader conversation about how major studios can make each project feel authored rather than standardized. The <a href=\"https:\/\/www.cartoonbrew.com\/feature-film\/forgotten-island-joel-crawford-januel-mercado-exclusive-267065.html\" target=\"_blank\" rel=\"noopener\">conversation with the filmmakers about their craft<\/a> offers another window into the choices behind the feature. In Forgotten Island, the key visual principle is clear: style becomes most expressive when it grows from character and theme.<\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Forgotten_Islands_Propulsive_Pacing_Turns_Friendship_Into_an_Adventure\"><\/span>Forgotten Island\u2019s Propulsive Pacing Turns Friendship Into an Adventure<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">The film\u2019s early rhythm establishes a lively, restless energy. Mercado described the directors\u2019 interest in cutting images to music, a technique associated with filmmakers such as Edgar Wright, whose editing often makes rhythm part of the action. For Forgotten Island, that approach is not just a flashy flourish; it echoes the feeling of a memorable night with friends, when one event tumbles into the next and the hours seem to disappear.<\/p>\n\n<p class=\"wp-block-paragraph\">A needle drop of Journey\u2019s \u201cDon\u2019t Stop Believin\u2019\u201d helps set that tone. Rather than treating music as background decoration, the sequence uses its pulse to shape transitions and visual beats. The result suggests how Jo and Raissa experience their last night together before their lives begin moving in separate directions: not as a quiet countdown, but as a rush of shared moments that feel bigger while they are happening.<\/p>\n\n<p class=\"wp-block-paragraph\">That idea becomes especially important once the girls reach Nakali. The island\u2019s adventure has the velocity of a party that keeps expanding, with encounters and discoveries arriving before the characters have time to settle. Mercado connected this rhythm to the way people remember youth: the details may blur, but the overall sensation remains vivid. The filmmakers therefore use pace as a storytelling tool, making the audience feel the speed of the night instead of merely hearing that it went by quickly.<\/p>\n\n<p class=\"wp-block-paragraph\">Yet constant motion would flatten the emotional stakes if the film never paused. Crawford described the value of contrast: after a fast, funny journey that builds investment in Jo and Raissa\u2019s friendship, a quieter moment can feel unusually still. That shift gives the audience space to register what may be lost when the girls\u2019 memories are threatened. A sudden slowdown can become more powerful than another chase because the story has trained viewers to expect movement.<\/p>\n\n<p class=\"wp-block-paragraph\">The film\u2019s musical choices also connect its fantasy setting to contemporary Filipino pop culture. Mercado mentioned the BINI song \u201cA Parallel World,\u201d whose lyrics about laughing and crying with friends echo the movie\u2019s emotional center. That connection helps the soundtrack feel connected to the characters\u2019 world rather than added from outside it. Music, editing, and performance work together to make the friendship feel lived-in before the island puts it under pressure.<\/p>\n\n<p class=\"wp-block-paragraph\">For a hypothetical viewer watching closely, the pacing offers a useful clue: when scenes fly by, the characters are caught in the rush of experience; when they slow, the film asks the audience to pay attention to what the friendship means. The <a href=\"https:\/\/www.comingsoon.net\/movies\/features\/2212208-forgotten-island-directors-interview-studio-ghibli-influence\" target=\"_blank\" rel=\"noopener\">ComingSoon interview with Crawford and Mercado<\/a> discusses how these choices support the film\u2019s emotional design. Its momentum is not an end in itself; it makes the stillness count.<\/p>\n\n<figure class=\"is-provider-youtube is-type-video wp-block-embed wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"FORGOTTEN ISLAND | Official Trailer\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/i1EVeS7l7kU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<p class=\"wp-block-paragraph\">The film\u2019s pace also reflects its coming-of-all-ages premise. Jo and Raissa face an imminent change in their lives, and their trip through Nakali turns that transition into something tangible: a race against forgetting, shaped by the exhilaration and fear of growing apart. The adventure works best when its speed feels like the girls\u2019 own experience of time, making every pause a reminder that some moments cannot be held forever.<\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Studio_Ghiblis_Influence_on_Forgotten_Islands_Mythical_Worldbuilding\"><\/span>Studio Ghibli\u2019s Influence on Forgotten Island\u2019s Mythical Worldbuilding<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">Mercado named <strong>Studio Ghibli<\/strong> and Hayao Miyazaki\u2019s <strong>Spirited Away<\/strong> as major creative inspirations. The connection lies less in copying particular creatures or visual motifs than in the way the film invites viewers into an unfamiliar world. Ghibli\u2019s fantasy storytelling often trusts audiences to absorb a place through atmosphere, behavior, and discovery rather than pausing to explain every rule. Crawford and Mercado bring a related openness to Nakali.<\/p>\n\n<p class=\"wp-block-paragraph\">That choice is significant because Forgotten Island draws on Philippine mythology, a tradition many viewers in the United States may know less well than Greek or Norse myth. The directors faced pressure from people eager to see particular stories or beings represented. Mercado recalled realizing that trying to satisfy every expectation would be impossible, especially in a feature with limited time and a specific emotional focus.<\/p>\n\n<p class=\"wp-block-paragraph\">Instead, the filmmakers concentrated on the story they wanted to tell and worked with cultural consultant Kirby Araullo. His expertise in folklore and history gave the team a way to discuss the intent behind their adaptations. That collaboration helped balance two responsibilities: honoring the cultural sources while making creative choices that served the characters, tone, and structure of the film.<\/p>\n\n<p class=\"wp-block-paragraph\">The approach does not treat mythology as a checklist of references. Jo\u2019s understanding of the island is connected to what she has learned from her Lola, giving cultural knowledge a personal route into the adventure. Rather than requiring the audience to arrive with a complete reference guide, the film allows viewers to learn alongside Jo. The result is a form of worldbuilding built through relationships, curiosity, and experience.<\/p>\n\n<p class=\"wp-block-paragraph\">Several choices help illustrate that strategy:<\/p>\n\n<ul class=\"wp-block-list\"><li><strong>Character-led discovery:<\/strong> Jo and Raissa encounter Nakali through the needs of their friendship, so new details about the island matter because they affect the girls.<\/li><li><strong>Selective explanation:<\/strong> The story provides context through Jo\u2019s family knowledge without turning every creature into a lecture about its origins.<\/li><li><strong>Adaptation with guidance:<\/strong> A cultural consultant helps the filmmakers understand the folklore while allowing the movie to shape its own dramatic language.<\/li><li><strong>An invitation to explore:<\/strong> The portal, designed around the sun on the Philippine flag, acts as a symbolic entrance into a world the audience may be discovering for the first time.<\/li><\/ul>\n\n<p class=\"wp-block-paragraph\">That last image carries particular meaning. Mercado described the portal as a bold invitation: the girls leap through it, and the audience is asked to follow. The image makes the passage into fantasy feel welcoming rather than exclusive, while its connection to the flag gives the threshold a cultural significance beyond spectacle.<\/p>\n\n<p class=\"wp-block-paragraph\">Ghibli\u2019s influence, then, is best understood as a principle of <strong>storytelling<\/strong> and worldbuilding, not a template. Nakali can remain mysterious while still feeling emotionally legible because Jo\u2019s perspective gives the audience a point of entry. A fantasy world feels expansive when viewers are trusted to explore it.<\/p>\n\n<figure class=\"is-provider-youtube is-type-video wp-block-embed wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Forgotten Island - First Look\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/z2x6p50drcc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Personal_Roots_and_Filipino_Representation_Behind_DreamWorks_Fantasy_Adventure\"><\/span>Personal Roots and Filipino Representation Behind DreamWorks\u2019 Fantasy Adventure<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">Forgotten Island\u2019s cultural foundation is also personal for its directors. Crawford said that his wife, who was born in the Philippines and moved to the United States at age nine, inspired much of the story. The film is not presented as a direct retelling of her life, but her experience helped shape its emotional perspective and its attention to family, memory, and the ways cultural knowledge travels between generations.<\/p>\n\n<p class=\"wp-block-paragraph\">One moment near the end became especially meaningful to Crawford. While writing a scene in which Raissa speaks with a younger Jo, he pictured a photograph of his wife as a child in the Philippines, smiling. At the premiere, she watched that moment and became tearful. Her response gave the scene a significance beyond whether it worked as a plot beat: it connected the animation to a personal memory that had helped inspire it.<\/p>\n\n<p class=\"wp-block-paragraph\">That anecdote offers a practical example of how personal experience can guide large-scale filmmaking. A detail rooted in one person\u2019s life can help a scene feel specific, and specificity can make it accessible to viewers who have different backgrounds. Rather than making the emotion universal by removing cultural context, the film allows the particular memory to carry its own meaning.<\/p>\n\n<p class=\"wp-block-paragraph\">Mercado\u2019s approach to the mythology also reflects care about representation. Online responses to the film\u2019s announcement brought expectations about which legends and creatures should appear. He recognized that trying to include every requested element would risk overwhelming the story, so the directors focused on a coherent point of view and relied on Araullo\u2019s expertise to discuss adaptations.<\/p>\n\n<p class=\"wp-block-paragraph\">This method does not remove the challenge of representing a living cultural tradition in a mainstream animated feature. It makes the challenge part of the creative process. The team\u2019s choices involve deciding what belongs in the story, how much context viewers need, and how to make an adaptation feel both entertaining and respectful. Crawford also noted that the consultant understood the filmmakers\u2019 humor, helping them consider not only historical accuracy but the way comedy could fit within the film\u2019s tone.<\/p>\n\n<p class=\"wp-block-paragraph\">For families watching together, the film\u2019s structure creates several paths into that conversation. A younger viewer might focus on the magical creatures and portal, while an adult might notice how Jo\u2019s relationship with her Lola carries knowledge into the next generation. Someone familiar with Filipino folklore may recognize cultural elements, while another viewer may leave curious to learn more.<\/p>\n\n<p class=\"wp-block-paragraph\">The wider value of the project is not that one movie can represent every tradition or settle every question about adaptation. It is that a personal, character-centered fantasy can make space for stories and mythologies that are less commonly foregrounded in mainstream animation. Representation becomes strongest when it is connected to people, memories, and relationships rather than treated as a label.<\/p>\n\n<p class=\"wp-block-paragraph\">For additional production context, <a href=\"https:\/\/www.animationmagazine.net\/2026\/09\/forgotten-island-directors-joel-crawford-januel-mercado-takes-us-on-their-enchanted-journey\/\" target=\"_blank\" rel=\"noopener\">Animation Magazine\u2019s feature on the directors\u2019 enchanted journey<\/a> explores the creative path behind the project. The personal roots of Forgotten Island give its fantasy a human anchor: the island may be mythical, but the feelings carried into it are recognizably real.<\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Forgotten_Islands_Memory_Stakes_and_2026_Release_Details\"><\/span>Forgotten Island\u2019s Memory Stakes and 2026 Release Details<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">The official premise places the emotional conflict in motion on the last night before best friends Jo and Raissa begin separate paths. They discover a portal to Nakali, a mythical island filled with creatures connected to what their Filipino families have taught them. Searching for a way home soon becomes more urgent when the girls realize that their memories\u2014and their ability to remember each other\u2014are at risk.<\/p>\n\n<p class=\"wp-block-paragraph\">That threat gives the fantasy adventure a clear dramatic engine. The island is not simply a sequence of strange locations; it places pressure on the bond that brought the characters there. If a memory disappears, the loss affects more than a plot detail. It can alter how Jo and Raissa understand their shared past, making the stakes intimate even as the setting grows more fantastical.<\/p>\n\n<p class=\"wp-block-paragraph\">The structure also helps link the film\u2019s two central ideas: growing up and remembering. The girls are already approaching a change in their relationship, and Nakali turns that anxiety into a visible danger. The question is not only whether they can escape, but what it means to preserve a friendship when the memories that support it are under threat.<\/p>\n\n<p class=\"wp-block-paragraph\">This premise creates a natural bridge between the film\u2019s spectacle and its quieter scenes. A creature can be thrilling because it belongs to a strange world, but the adventure gains emotional force when an encounter changes what the friends know or remember. In that sense, the island\u2019s magic is most effective when it makes the relationship more complicated, not when it distracts from it.<\/p>\n\n<p class=\"wp-block-paragraph\">The film\u2019s release schedule extends that audience journey beyond its theatrical run. Forgotten Island opened in theaters on September 25, 2026, and is scheduled to arrive exclusively on digital platforms on October 27, 2026. Physical editions on 4K UHD, Blu-ray, and DVD are set for December 1, 2026.<\/p>\n\n<figure class=\"wp-block-table\"><table>\n<thead>\n<tr>\n<th>Release milestone<\/th>\n<th>Date<\/th>\n<th>Format or context<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Theatrical release<\/td>\n<td>September 25, 2026<\/td>\n<td>DreamWorks animated fantasy adventure in cinemas<\/td>\n<\/tr>\n<tr>\n<td>Digital release<\/td>\n<td>October 27, 2026<\/td>\n<td>Exclusive digital-platform debut<\/td>\n<\/tr>\n<tr>\n<td>Home-video release<\/td>\n<td>December 1, 2026<\/td>\n<td>4K UHD, Blu-ray, and DVD<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/figure>\n\n<p class=\"wp-block-paragraph\">The staggered rollout gives viewers different ways to encounter the film: first as a theatrical experience, then at home digitally, and later through physical editions. The timing is useful context for anyone following DreamWorks\u2019 2026 slate, particularly audiences interested in how original animated features continue their lives after cinemas.<\/p>\n\n<p class=\"wp-block-paragraph\">Release details are only one part of the film\u2019s appeal. The lasting question is whether its mix of friendship, cultural mythology, and expressive animation makes Nakali feel like a place viewers want to revisit. By placing memory at the center of its fantasy, Forgotten Island gives its release calendar a fitting emotional counterpoint: the story asks what remains with us after an adventure ends.<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>How Forgotten Island Uses Animation to Make Memory Visible In Forgotten Island, visual style is not simply a decorative layer placed over a fantasy adventure. Directors Joel Crawford and Januel Mercado treat animation as a way to show how memory feels: vivid, unstable, personal, and sometimes different from one friend\u2019s recollection to another\u2019s. That idea &#8230; <a title=\"\u2018Forgotten Island\u2019 Directors on the Studio Ghibli Magic Behind DreamWorks\u2019 New Fantasy Adventure\" class=\"read-more\" href=\"https:\/\/mybingemate.com\/news\/forgotten-island-ghibli-magic\/\" aria-label=\"En savoir plus sur \u2018Forgotten Island\u2019 Directors on the Studio Ghibli Magic Behind DreamWorks\u2019 New Fantasy Adventure\">Lire plus<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-27859","post","type-post","status-publish","format-standard","hentry","category-movies","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-33"],"_links":{"self":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts\/27859","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/comments?post=27859"}],"version-history":[{"count":0,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts\/27859\/revisions"}],"wp:attachment":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/media?parent=27859"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/categories?post=27859"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/tags?post=27859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}