{"id":27976,"date":"2026-10-28T18:10:35","date_gmt":"2026-10-28T17:10:35","guid":{"rendered":"https:\/\/mybingemate.com\/news\/horror-christmas-carol-trailer\/"},"modified":"2026-10-28T18:10:35","modified_gmt":"2026-10-28T17:10:35","slug":"horror-christmas-carol-trailer","status":"publish","type":"post","link":"https:\/\/mybingemate.com\/news\/horror-christmas-carol-trailer\/","title":{"rendered":"Exclusive: The Asylum\u2019s Horror-Fueled A Christmas Carol Trailer Offers a Dark New Take on Johnny Depp\u2019s Ebenezer Scrooge"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_89 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #ffffff;color:#ffffff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #ffffff;color:#ffffff\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/mybingemate.com\/news\/horror-christmas-carol-trailer\/#The_Asylums_A_Christmas_Carol_Horror_Trailer_Introduces_a_Separate_Scrooge_Story\" >The Asylum\u2019s A Christmas Carol Horror Trailer Introduces a Separate Scrooge Story<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/mybingemate.com\/news\/horror-christmas-carol-trailer\/#What_Happens_in_The_Asylums_Ebenezer_Scrooge_Horror_Trailer\" >What Happens in The Asylum\u2019s Ebenezer Scrooge Horror Trailer<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/mybingemate.com\/news\/horror-christmas-carol-trailer\/#Why_a_Christmas_Horror_Retelling_Still_Fits_Dickens_Classic\" >Why a Christmas Horror Retelling Still Fits Dickens\u2019 Classic<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/mybingemate.com\/news\/horror-christmas-carol-trailer\/#Cast_Filmmakers_and_the_October_2026_Digital_Release\" >Cast, Filmmakers, and the October 2026 Digital Release<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/mybingemate.com\/news\/horror-christmas-carol-trailer\/#Johnny_Depps_Ebenezer_Film_and_The_Asylums_Horror_Take_Are_Not_the_Same_Movie\" >Johnny Depp\u2019s Ebenezer Film and The Asylum\u2019s Horror Take Are Not the Same Movie<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_Asylums_A_Christmas_Carol_Horror_Trailer_Introduces_a_Separate_Scrooge_Story\"><\/span>The Asylum\u2019s A Christmas Carol Horror Trailer Introduces a Separate Scrooge Story<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">The newly revealed <strong>exclusive trailer<\/strong> for <em>Ebenezer Scrooge: A Christmas Carol Horror<\/em> turns Charles Dickens\u2019 familiar holiday ghost story toward outright menace. Debuted by ComingSoon, the clip belongs to The Asylum\u2019s upcoming horror film, a dark retelling built around a Christmas Eve haunting and a miser forced to confront the consequences of his cruelty. Its central character is Ebenezer Scrooge, but this is not the Johnny Depp production highlighted in the article\u2019s headline: Depp plays Scrooge in a separate adaptation directed by Ti West.<\/p>\n\n<p class=\"wp-block-paragraph\">That distinction matters because the two projects approach the same 1843 novella from different creative directions. The Asylum\u2019s movie stars Dominic Keating as Scrooge and presents the ghosts as threats in a supernatural horror setup, while West\u2019s <em>Ebenezer: A Christmas Carol<\/em> is a separate Gothic fantasy film featuring Depp. Readers tracking the trailers can explore <a href=\"https:\/\/www.comingsoon.net\/movies\/trailers\/2214166-ebenezer-scrooge-a-christmas-carol-horror-trailer-the-asylum-johnny-depp-movie\" target=\"_blank\" rel=\"noopener\">ComingSoon\u2019s exclusive trailer coverage<\/a> alongside reporting on the other adaptation, rather than treating the titles as one production.<\/p>\n\n<p class=\"wp-block-paragraph\">The Asylum\u2019s official premise keeps the classic moral choice intact: Scrooge must decide whether to heed the spirits\u2019 warning and change, or remain a merciless businessman. The horror approach shifts the emphasis from the possibility of redemption to the immediate terror of being pursued through the night. That is a meaningful change in tone, even when the underlying narrative remains recognizable to anyone who knows Dickens.<\/p>\n\n<p class=\"wp-block-paragraph\">For a viewer arriving without background, a simple distinction helps: Keating is the Scrooge in the horror trailer, while Depp is associated with West\u2019s separate film. The two projects share a source text and a central character, not a cast or a production. The trailer\u2019s title makes that separation especially useful to keep in view, since the name \u201cEbenezer Scrooge\u201d appears in both stories and can make quick online searches confusing.<\/p>\n\n<p class=\"wp-block-paragraph\">In a crowded field of seasonal releases, the pairing also shows how one classic can support sharply different interpretations. One adaptation can lean into gothic atmosphere and star-driven fantasy, while another can foreground frightening apparitions and a more direct survival instinct. The Asylum\u2019s version stakes out the harsher end of that range, making its identity clear before the full story is even known: this Christmas Eve is designed to feel less like a warm invitation to change and more like a supernatural reckoning.<\/p>\n\n<p class=\"wp-block-paragraph\">The key point is that the trailer offers a distinct horror treatment of Dickens, not an early preview of Depp\u2019s film. That separation sets the scene for the most striking feature of the clip: its relentless focus on Scrooge\u2019s fear.<\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"What_Happens_in_The_Asylums_Ebenezer_Scrooge_Horror_Trailer\"><\/span>What Happens in The Asylum\u2019s Ebenezer Scrooge Horror Trailer<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">The trailer begins by establishing Scrooge\u2019s hostility toward Christmas through his own bleak outlook. Keating\u2019s character rejects the idea of celebration across past, present, and future, framing the holiday not as a season of generosity but as an irritation he wants erased. The line gives the clip a brisk introduction to his character without spending long on exposition: this is a man who has made emotional coldness part of his daily routine.<\/p>\n\n<p class=\"wp-block-paragraph\">That routine collapses when uninvited visitors appear. Scrooge asks who is there, but the question does not bring reassurance; a ghost answers with a warning that his reckoning has arrived. Instead of presenting the supernatural visitors as gentle guides, the horror trailer uses their arrival to create a threat. Their message points toward the traditional possibility of reform, yet their appearance and delivery make the encounter feel dangerous from the outset.<\/p>\n\n<p class=\"wp-block-paragraph\">The sequence escalates as Scrooge runs from the figures and pleads for them to leave him alone. The ghosts continue to speak in the language of accounts, time, and judgment, turning the businessman\u2019s own world of transactions into a chilling metaphor. One voice suggests that his account can be closed, while another declares that his time is over. The vocabulary is economical, but it connects the supernatural threat to the habits that have defined Scrooge\u2019s life.<\/p>\n\n<p class=\"wp-block-paragraph\">Then the trailer moves from pursuit to a sharp final jolt. A ghost appears suddenly on screen, using a jump scare to end the clip on immediate shock rather than a reflective beat. That choice is a clear signal about the film\u2019s selling point: the familiar Dickensian visitations are being staged for viewers who want tension and fright alongside the holiday setting. A classic story\u2019s moral framework remains recognizable, but the trailer\u2019s editing and imagery invite a different kind of reaction.<\/p>\n\n<ul class=\"wp-block-list\"><li><strong>Scrooge\u2019s opening mood:<\/strong> He rejects the spirit of Christmas and dismisses the idea of feasting or celebration.<\/li><li><strong>The first supernatural warning:<\/strong> A ghost tells him that a reckoning has begun, turning the night into a confrontation.<\/li><li><strong>The pursuit:<\/strong> Scrooge flees as the visitors press their judgment and make his fear the scene\u2019s focus.<\/li><li><strong>The final scare:<\/strong> A sudden apparition closes the trailer with a classic horror punctuation mark.<\/li><\/ul>\n\n<p class=\"wp-block-paragraph\">Those beats do more than summarize a plot. They show how a familiar tale can be recut around suspense: the question is still whether Scrooge will change, but the trailer first asks whether he can endure the night. The shift gives the preview a clear horror identity before revealing how the film will handle the rest of the novella.<\/p>\n\n<figure class=\"is-provider-youtube is-type-video wp-block-embed wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ebenezer | Johnny Depp on Ebenezer Featurette (2026 Movie)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/iCOvD37RRsw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<p class=\"wp-block-paragraph\">For comparisons, coverage of Ti West\u2019s different interpretation describes a more Gothic approach and a separate set of creative choices. A look at <a href=\"https:\/\/www.comicbasics.com\/new-ebenezer-trailer-leans-into-the-ghosts-of-ti-wests-gothic-a-christmas-carol\/\" target=\"_blank\" rel=\"noopener\">the other Ebenezer trailer\u2019s ghostly emphasis<\/a> helps clarify how differently filmmakers can stage the same supernatural premise. In The Asylum\u2019s clip, the ghosts are not merely symbols of memory; they function as immediate sources of danger.<\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Why_a_Christmas_Horror_Retelling_Still_Fits_Dickens_Classic\"><\/span>Why a Christmas Horror Retelling Still Fits Dickens\u2019 Classic<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">At first glance, Christmas horror can seem like a contradiction. Dickens\u2019 <em>A Christmas Carol<\/em> is commonly associated with compassion, family, and the chance to become better, while horror promises dread and danger. Yet the novella has always contained unsettling material: Marley arrives in chains, visions expose the lonely consequences of Scrooge\u2019s choices, and the future offers a disturbing glimpse of what happens when nobody mourns him. A horror film does not need to invent darkness; it can bring the story\u2019s existing shadows closer to the surface.<\/p>\n\n<p class=\"wp-block-paragraph\">The Asylum\u2019s trailer leans into that potential by making Scrooge\u2019s visitors threatening presences. In a gentler adaptation, a ghost can serve as a guide whose frightening appearance eventually gives way to moral instruction. Here, the warning feels more like a sentence being carried out. The distinction changes how audiences experience the central theme: redemption may remain possible, but the path toward it looks punishing and uncertain.<\/p>\n\n<p class=\"wp-block-paragraph\">That tension also has a useful connection to Scrooge\u2019s character. He has spent years treating people as figures in an account book, judging value through money and refusing emotional obligations. The trailer\u2019s references to reckoning and closed accounts turn his habits back against him. In horror, consequences become visible and physical; the past is no longer an idea he can dismiss, but a presence that follows him through the night.<\/p>\n\n<p class=\"wp-block-paragraph\">Consider a modern viewer watching after a long day of holiday shopping or family obligations. A familiar adaptation may offer comfort through warm interiors and a reassuring transformation. A darker version can make the same seasonal setting feel uncanny: empty streets, winter darkness, and the silence of a house become part of the dramatic pressure. That contrast is one reason Christmas horror continues to attract attention. It uses a season associated with safety to make isolation and fear more pronounced.<\/p>\n\n<p class=\"wp-block-paragraph\">The approach also invites comparison with the many screen versions that have shaped public memory of the story. Some emphasize comedy, some lean on sentiment, and others accentuate the spectral elements. A new adaptation does not have to replace those versions; it can offer another viewing mode for a story whose structure is flexible enough to support different tones. The recognizable framework\u2014the miser, the Christmas Eve visitors, the demand to reconsider one\u2019s life\u2014provides a stable foundation while the staging changes around it.<\/p>\n\n<p class=\"wp-block-paragraph\">For the horror treatment to feel meaningful rather than merely sensational, the scares need to serve the moral conflict. The trailer points in that direction by tying its threats to Scrooge\u2019s time, choices, and past. If the full film sustains that relationship, its ghosts can operate as both frightening figures and dramatic reminders of the damage caused by selfishness. The strongest dark retellings make the familiar lesson feel newly urgent, and that is the potential at the heart of this one.<\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Cast_Filmmakers_and_the_October_2026_Digital_Release\"><\/span>Cast, Filmmakers, and the October 2026 Digital Release<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\"><em>Ebenezer Scrooge: A Christmas Carol Horror<\/em> is directed by Marcel Walz and written by Joshua Pruett. Dominic Keating leads as Ebenezer Scrooge, with Bryan Barron and Matthew Gademske also among the cast. Those credits distinguish the project from Ti West\u2019s separate film, which stars Johnny Depp and features its own ensemble. Keeping the personnel straight is useful for readers following multiple adaptations that share Dickens\u2019 title and protagonist.<\/p>\n\n<p class=\"wp-block-paragraph\">Keating\u2019s role is central to the trailer\u2019s design because the opening establishes Scrooge\u2019s contempt before the haunting takes over. The character must communicate a rigid worldview and then make fear legible as it breaks through that self-control. The preview offers brief flashes rather than a full performance arc, but its emphasis is clear: this version places Scrooge inside the horror rather than observing the ghosts from a safe distance.<\/p>\n\n<p class=\"wp-block-paragraph\">The release plan gives the film a specific place in the 2026 holiday calendar. The Asylum\u2019s movie is scheduled to arrive digitally on <strong>October 30, 2026<\/strong>, ahead of the main Christmas season. A late-October launch places it close to Halloween, when horror audiences are already seeking new genre releases, while the Dickens connection can carry the title into winter viewing. That timing gives the movie two seasonal contexts instead of limiting it to December.<\/p>\n\n<p class=\"wp-block-paragraph\">The date should not be confused with the release plans for Depp\u2019s <em>Ebenezer: A Christmas Carol<\/em>, a separate Ti West production described as a Gothic dark fantasy and scheduled for a November theatrical release. The projects may appear in the same online conversations because both revisit Scrooge, but their distinct formats, casts, and release windows make them different entries on the calendar. Readers can follow <a href=\"https:\/\/www.dreadcentral.com\/trailer\/582346\/ebenezer-a-christmas-carol-trailer-ti-wests-dark-interpretation-of-the-charles-dickens-story-chills-this-november\/\" target=\"_blank\" rel=\"noopener\">coverage of Ti West\u2019s November-facing adaptation<\/a> for information about that separate film.<\/p>\n\n<figure class=\"wp-block-table\"><table>\n<thead>\n<tr>\n<th>Production detail<\/th>\n<th>The Asylum horror film<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Title<\/td>\n<td><em>Ebenezer Scrooge: A Christmas Carol Horror<\/em><\/td>\n<\/tr>\n<tr>\n<td>Lead as Scrooge<\/td>\n<td>Dominic Keating<\/td>\n<\/tr>\n<tr>\n<td>Director<\/td>\n<td>Marcel Walz<\/td>\n<\/tr>\n<tr>\n<td>Writer<\/td>\n<td>Joshua Pruett<\/td>\n<\/tr>\n<tr>\n<td>Additional cast named<\/td>\n<td>Bryan Barron and Matthew Gademske<\/td>\n<\/tr>\n<tr>\n<td>Digital release<\/td>\n<td>October 30, 2026<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/figure>\n\n<p class=\"wp-block-paragraph\">The production details are more than credits on a listing: they establish a project with its own creative team, performance, and release strategy. For viewers choosing what to watch, the clearest guide is the genre promise\u2014the Asylum film is positioned as supernatural horror, with a digital debut timed to the autumn-to-holiday transition.<\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Johnny_Depps_Ebenezer_Film_and_The_Asylums_Horror_Take_Are_Not_the_Same_Movie\"><\/span>Johnny Depp\u2019s Ebenezer Film and The Asylum\u2019s Horror Take Are Not the Same Movie<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">The headline\u2019s mention of Johnny Depp points to a parallel adaptation, not the film featured in The Asylum\u2019s exclusive trailer. Depp stars in <em>Ebenezer: A Christmas Carol<\/em>, directed by Ti West, which reimagines Dickens\u2019 story as a Gothic ghost tale. The Asylum\u2019s <em>Ebenezer Scrooge: A Christmas Carol Horror<\/em>, meanwhile, stars Dominic Keating and is directed by Marcel Walz. Both center on Scrooge and both draw from the same literary source, but they should be treated as separate productions.<\/p>\n\n<p class=\"wp-block-paragraph\">That distinction can be easy to miss in a fast-moving trailer feed. A viewer may see \u201cEbenezer,\u201d \u201cChristmas Carol,\u201d and \u201cghosts\u201d attached to several headlines and assume they refer to one film or that one trailer belongs to the other. The practical way to sort them is to check the cast and filmmaker: Depp and West identify the larger Gothic fantasy project, while Keating, Walz, and The Asylum identify the horror title covered here.<\/p>\n\n<p class=\"wp-block-paragraph\">West\u2019s film has its own promotional trail, including coverage of a trailer that foregrounds its ghostly and Gothic qualities. The <a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-news\/johnny-depp-ebenezer-scrooge-trailer-1236718222\/\" target=\"_blank\" rel=\"noopener\">report on Depp\u2019s Scrooge trailer<\/a> places that project within its separate release story, while the Asylum preview is defined by a more direct pursuit-and-jump-scare structure. Comparing the two offers a snapshot of how adaptation works: one source text can generate more than one interpretation without making the resulting films interchangeable.<\/p>\n\n<p class=\"wp-block-paragraph\">For audiences, the contrast may be part of the appeal. A viewer interested in a star-led Gothic fantasy can follow Depp\u2019s version, while someone looking for a compact, fear-forward seasonal watch can keep an eye on The Asylum\u2019s digital release. Both draw on the same cultural memory of Scrooge and his visitors, but their marketing signals different expectations. One key question for each film is how its chosen tone supports the story\u2019s movement from isolation toward possible change.<\/p>\n\n<p class=\"wp-block-paragraph\">The distinction also highlights a broader trend in pop culture: familiar stories are increasingly introduced through sharply defined genre labels. A classic can be pitched as romance, comedy, fantasy, or horror depending on which elements a production brings forward. In this case, the word \u201chorror\u201d is not incidental branding; the trailer\u2019s threatening ghosts, panicked escape, and sudden final apparition make it central to the experience being sold.<\/p>\n\n<figure class=\"is-provider-youtube is-type-video wp-block-embed wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ebenezer | Official Trailer | Paramount Pictures UK\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/xz8BPql5YnA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<p class=\"wp-block-paragraph\">Seen side by side, the films make the source material feel less fixed and more adaptable. Dickens supplies the winter night, the miser, and the spirits; each production decides whether that encounter feels like a moral awakening, a Gothic journey, or a nightmare. The Asylum\u2019s trailer chooses the nightmare, while Depp\u2019s separate film offers another route through the same enduring story.<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>The Asylum\u2019s A Christmas Carol Horror Trailer Introduces a Separate Scrooge Story The newly revealed exclusive trailer for Ebenezer Scrooge: A Christmas Carol Horror turns Charles Dickens\u2019 familiar holiday ghost story toward outright menace. Debuted by ComingSoon, the clip belongs to The Asylum\u2019s upcoming horror film, a dark retelling built around a Christmas Eve haunting &#8230; <a title=\"Exclusive: The Asylum\u2019s Horror-Fueled A Christmas Carol Trailer Offers a Dark New Take on Johnny Depp\u2019s Ebenezer Scrooge\" class=\"read-more\" href=\"https:\/\/mybingemate.com\/news\/horror-christmas-carol-trailer\/\" aria-label=\"En savoir plus sur Exclusive: The Asylum\u2019s Horror-Fueled A Christmas Carol Trailer Offers a Dark New Take on Johnny Depp\u2019s Ebenezer Scrooge\">Lire plus<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-27976","post","type-post","status-publish","format-standard","hentry","category-movies","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-33"],"_links":{"self":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts\/27976","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/comments?post=27976"}],"version-history":[{"count":0,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts\/27976\/revisions"}],"wp:attachment":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/media?parent=27976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/categories?post=27976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/tags?post=27976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}