{"id":28021,"date":"2026-10-29T22:10:43","date_gmt":"2026-10-29T21:10:43","guid":{"rendered":"https:\/\/mybingemate.com\/news\/jeffrey-dollmer-possessed-doll\/"},"modified":"2026-10-29T22:10:43","modified_gmt":"2026-10-29T21:10:43","slug":"jeffrey-dollmer-possessed-doll","status":"publish","type":"post","link":"https:\/\/mybingemate.com\/news\/jeffrey-dollmer-possessed-doll\/","title":{"rendered":"\u2018Jeffrey Dollmer\u2019 Red-Band Trailer Unleashes a Possessed Doll in a Chilling New Horror Film"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_89 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #ffffff;color:#ffffff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #ffffff;color:#ffffff\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/mybingemate.com\/news\/jeffrey-dollmer-possessed-doll\/#Jeffrey_Dollmer_Red-Band_Trailer_Reveals_a_Possessed_Dolls_Origin\" >Jeffrey Dollmer Red-Band Trailer Reveals a Possessed Doll\u2019s Origin<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/mybingemate.com\/news\/jeffrey-dollmer-possessed-doll\/#How_the_Jeffrey_Dollmer_Trailer_Turns_a_Haunted_Toy_Into_a_Slasher_Threat\" >How the Jeffrey Dollmer Trailer Turns a Haunted Toy Into a Slasher Threat<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/mybingemate.com\/news\/jeffrey-dollmer-possessed-doll\/#Mark_Savages_Supernatural_Horror_Approach_and_the_Films_Creative_Team\" >Mark Savage\u2019s Supernatural Horror Approach and the Film\u2019s Creative Team<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/mybingemate.com\/news\/jeffrey-dollmer-possessed-doll\/#Why_Jeffrey_Dollmers_Dark_Horror_Mix_Balances_Shock_and_Camp\" >Why Jeffrey Dollmer\u2019s Dark Horror Mix Balances Shock and Camp<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/mybingemate.com\/news\/jeffrey-dollmer-possessed-doll\/#Jeffrey_Dollmer_Release_Details_Cast_and_Story_at_a_Glance\" >Jeffrey Dollmer Release Details, Cast, and Story at a Glance<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Jeffrey_Dollmer_Red-Band_Trailer_Reveals_a_Possessed_Dolls_Origin\"><\/span>Jeffrey Dollmer Red-Band Trailer Reveals a Possessed Doll\u2019s Origin<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">The <strong>red-band trailer for Jeffrey Dollmer<\/strong> opens on a macabre discovery: Jeffrey Dahmer comes across a ventriloquist dummy in a dumpster behind a chocolate factory. Its resemblance to him is hard to miss, and that uncanny likeness quickly becomes more than a visual joke. The trailer turns the doll into the focus of a ritual meant to transfer Dahmer\u2019s spirit, setting up a supernatural slasher that plays with the familiar killer-toy premise in an unusually grim direction.<\/p>\n\n<p class=\"wp-block-paragraph\">In the story, Dahmer\u2019s plan is interrupted when he is captured before completing the ritual. The doll is then kept in police evidence for decades, shut away as an object connected to a crime that has not truly ended. That long stretch in storage gives the setup a useful horror-film tension: the danger is not simply that someone finds a creepy toy, but that an unfinished act has left something waiting inside it.<\/p>\n\n<p class=\"wp-block-paragraph\">Eventually discarded, the dummy makes its way back into the world. In the present day, its spirit is accidentally summoned and latches onto a young model who resembles its former owner. The resemblance creates a disturbing bridge between past and present, while also giving the possessed doll a living target and a way to move through a new setting.<\/p>\n\n<p class=\"wp-block-paragraph\">The trailer\u2019s early images underline the film\u2019s deliberately outrageous premise. Dahmer forces a victim to focus on the doll before attempting the transfer, turning the toy into a silent witness to violence and an apparent vessel for what follows. Once the ritual takes effect, the preview cuts through a series of killings, presenting the dummy as an active threat rather than a prop that merely unsettles the people who see it.<\/p>\n\n<p class=\"wp-block-paragraph\">That setup places <strong>demonic possession<\/strong> alongside slasher conventions, with the supernatural element explaining why the doll can outlast the person who first claimed it. The story\u2019s evidence-room history also makes the toy feel like a piece of forgotten institutional debris: it has been removed from public view, but not made harmless. The trailer\u2019s central hook is simple and effective\u2014what happens when a failed ritual leaves a killer\u2019s spirit behind in an object that eventually escapes containment?<\/p>\n\n<p class=\"wp-block-paragraph\">Viewers can watch the <a href=\"https:\/\/www.youtube.com\/watch?v=Cr2BQ88lu4M\" target=\"_blank\" rel=\"noopener\">Jeffrey Dollmer trailer<\/a> and see how the film introduces its central threat. The film\u2019s setup is also outlined in this <a href=\"https:\/\/www.horrorsociety.com\/2026\/10\/02\/trailer-for-new-slasher-jeffrey-dollmer\/\" target=\"_blank\" rel=\"noopener\">slasher trailer report<\/a>, which places the title within the killer-doll tradition while emphasizing its unusual supernatural premise.<\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"How_the_Jeffrey_Dollmer_Trailer_Turns_a_Haunted_Toy_Into_a_Slasher_Threat\"><\/span>How the Jeffrey Dollmer Trailer Turns a Haunted Toy Into a Slasher Threat<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">After establishing the doll\u2019s origin, the <strong>chilling trailer<\/strong> shifts toward the damage it can cause. The dummy is not presented as a passive haunted toy that only appears in reflections or moves when nobody is looking. Instead, the preview shows it tied to a succession of murders, pushing the film toward an energetic slasher rhythm in which each new encounter raises the stakes.<\/p>\n\n<p class=\"wp-block-paragraph\">One sequence leans into a recognizable horror setup: campers in the forest come across the dummy while it is devouring a corpse. The image combines wilderness isolation with a grotesque reveal, making the characters\u2019 discovery feel dangerous before they have time to understand what they are seeing. A remote campsite offers little immediate help, and the familiar comfort of a group gathered outdoors becomes a liability when the threat is already close.<\/p>\n\n<p class=\"wp-block-paragraph\">This use of genre conventions can be a strength when a movie understands the pleasure of recognition. Audiences know that a forest encounter can go badly, but the trailer adds a distinctive visual center to the scene: a small figure whose toy-like scale clashes with the violence around it. That contrast is the movie\u2019s sharpest tonal tool. The doll can look absurd from one angle and menacing from another, allowing the preview to move between shock, dark humor, and suspense without abandoning its central image.<\/p>\n\n<p class=\"wp-block-paragraph\">The trailer also connects its killing spree to the model at the center of the contemporary storyline. Because she resembles the doll\u2019s former owner, the resemblance is more than a casting coincidence; it gives the supernatural threat a personal focus. A young model becomes the point where the old ritual intersects with a present-day group, turning what might have been a sequence of unrelated attacks into a story with a recurring target.<\/p>\n\n<p class=\"wp-block-paragraph\">For a production-shoot setting, the contrast between professional image-making and uncontrolled danger carries extra potential. A photo shoot depends on people arranging appearances, managing equipment, and following a schedule. A murderous dummy disrupts all three: it can enter a carefully staged frame, turn a prop into a threat, and make the crew\u2019s confidence in the location feel misplaced. The result is a slasher setup with a built-in visual irony, as the people tasked with creating images may be unable to see the danger until it is already in front of them.<\/p>\n\n<p class=\"wp-block-paragraph\">The trailer\u2019s appeal rests on that collision of familiar beats and a distinctly strange villain. It is not trying to hide the fact that the premise is outrageous; it uses the oversized idea as the selling point. More details and trailer context appear in this <a href=\"https:\/\/thefearreview.com\/jeffrey-dollmer-trailer\/\" target=\"_blank\" rel=\"noopener\">coverage of the Jeffrey Dollmer preview<\/a>, while a separate <a href=\"https:\/\/www.youtube.com\/watch?v=bhAluZD3ItE\" target=\"_blank\" rel=\"noopener\">video look at the film<\/a> offers another way to encounter its killer-doll concept.<\/p>\n\n<figure class=\"is-provider-youtube is-type-video wp-block-embed wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Terrifying Night with the Possessed Doll Jeffrey Caught on Camera\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/QJweCMqjx_Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Mark_Savages_Supernatural_Horror_Approach_and_the_Films_Creative_Team\"><\/span>Mark Savage\u2019s Supernatural Horror Approach and the Film\u2019s Creative Team<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\"><strong>Mark Savage directs Jeffrey Dollmer<\/strong>, bringing experience with dark, independent genre filmmaking to a story built around supernatural horror and slasher violence. Savage previously directed <em>Purgatory Road<\/em>, a title associated with bleak horror imagery, and the new project gives him a different kind of central menace: rather than centering its threat on a conventional human killer, it turns a ventriloquist dummy into the physical carrier of an evil spirit.<\/p>\n\n<p class=\"wp-block-paragraph\">The screenplay is credited to John Doolan, while Jeff Miller is among the producers. That combination places the film within a recognizably independent horror ecosystem, where a bold hook and a compact set of genre ingredients can help a project distinguish itself. A killer doll is instantly legible to horror audiences, but the connection to a failed ritual, a decades-long evidence-room disappearance, and a model who resembles the doll\u2019s former owner gives this version its own story framework.<\/p>\n\n<p class=\"wp-block-paragraph\">The cast includes Charlie Trepany, Chey Crieger, Juliana Destefano, Adam Huss, Eva Hamilton, Mariah Justice, Scott Asmar, Jabarri Bush, Jane Xi, Tom Parnell, and Sean Michael Conway. Brian Joseph Mange portrays Dahmer in the trailer\u2019s opening setup. The ensemble format suits a slasher: different characters can encounter the same threat from different positions, whether they are part of the shoot, connected to the model, or caught in the doll\u2019s path.<\/p>\n\n<p class=\"wp-block-paragraph\">The film\u2019s structure also depends on contrast between eras. The opening material reaches back to 1991, when Dahmer finds the dummy and attempts the ritual. The narrative then moves through the decades-long period in which the toy remains in police evidence before returning to a contemporary setting. This passage of time gives the plot a practical reason for the doll to vanish from the story before reappearing, while creating a sense that an unresolved danger has survived the people and institutions that tried to contain it.<\/p>\n\n<p class=\"wp-block-paragraph\">For an independent horror feature, that kind of clear timeline can be valuable. Viewers can grasp the origin, the interruption, the long disappearance, and the return without requiring elaborate world-building. The creative challenge is then to make each stage feel distinct: the ritual should feel ominous, the evidence-storage period should suggest a dormant threat, and the modern storyline should give the characters enough personality to make the danger matter.<\/p>\n\n<p class=\"wp-block-paragraph\">The film also includes a cameo from Jeffrey Reddick, the creator associated with the <em>Final Destination<\/em> franchise. That connection may catch genre fans\u2019 attention, particularly those who enjoy seeing horror veterans appear in projects that experiment with familiar conventions. It is a point of curiosity rather than a substitute for the film\u2019s own identity, which depends chiefly on the collision of a notorious historical reference with a fictional possessed toy.<\/p>\n\n<p class=\"wp-block-paragraph\">Reporting on the project has highlighted its cast and premise, including this account of <a href=\"https:\/\/www.yahoo.com\/entertainment\/movies\/articles\/jeffrey-dahmer-becomes-killer-doll-222634340.html\" target=\"_blank\" rel=\"noopener\">the killer-doll concept behind Jeffrey Dollmer<\/a>. The film\u2019s creative mix is designed to make the central hook easy to grasp while leaving room for the performers and director to shape the tension around it.<\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Why_Jeffrey_Dollmers_Dark_Horror_Mix_Balances_Shock_and_Camp\"><\/span>Why Jeffrey Dollmer\u2019s Dark Horror Mix Balances Shock and Camp<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\"><strong>Jeffrey Dollmer<\/strong> occupies an unusual space between dark horror and deliberate absurdity. Its title signals a playful mash-up, while its premise draws on a real serial killer\u2019s name and a supernatural transformation. That combination needs a careful tonal balance: if the film treats every beat with solemn intensity, the killer-doll idea may feel unintentionally comic; if it treats everything as a joke, the violence and victims may lose their impact.<\/p>\n\n<p class=\"wp-block-paragraph\">The red-band label suggests that the trailer is aimed at adult viewers and presents material with a harder edge than a conventional all-ages preview. The trailer\u2019s sequence of murders and the image of the dummy at a forest campsite establish that the film intends to deliver graphic slasher energy, though the available premise does not require the story to rely on gore alone. Suspense can also come from waiting for the doll to move, noticing it in an unexpected part of the frame, or realizing that a character has mistaken it for an ordinary object.<\/p>\n\n<p class=\"wp-block-paragraph\">That tension between toy and threat has deep roots in horror culture. A doll is made to look familiar and manageable, often designed for play or display; turning it into a predator reverses that expectation. The ventriloquist dummy intensifies the effect because its painted expression and fixed mouth already suggest a face that is performing for an audience. In this film, the uncanny appearance becomes more than decoration: the dummy is tied to a spirit and a violent history.<\/p>\n\n<p class=\"wp-block-paragraph\">There is also a distinctive challenge in using Jeffrey Dahmer as the story\u2019s origin point. The film frames its supernatural scenario as fiction, but the name invokes real crimes and real victims. That context makes tonal choices important. A thoughtful horror story can use an infamous figure to explore obsession, evil, and the persistence of violence without treating historical suffering as a punchline. The title\u2019s wordplay may invite curiosity, while the film\u2019s execution will determine whether the material feels like purposeful genre provocation or simply a shock tactic.<\/p>\n\n<p class=\"wp-block-paragraph\">The trailer\u2019s fast cuts and bold premise position it for viewers who enjoy horror that is willing to be strange. Fans of killer-toy stories may recognize the broad lineage of haunted playthings, while slasher audiences can look for the familiar pattern of an isolated group confronting a relentless attacker. The new wrinkle is the spirit-transfer story, which gives the toy a connection to a human past and supplies a supernatural explanation for its behavior.<\/p>\n\n<p class=\"wp-block-paragraph\">For a viewer such as a hypothetical festival programmer assessing a midnight screening, the appeal would be the tension between novelty and familiarity. The dummy is a fresh visual hook; the isolated campers, escalating attacks, and sinister origin are recognizable genre tools. When those elements work together, the movie can produce both a gasp and a nervous laugh without confusing its audience about what kind of experience it offers. This <a href=\"https:\/\/www.dreadcentral.com\/exclusive\/591250\/jeffrey-dollmer-exclusive-trailer-this-preppy-killer-doll-has-a-dahmer-problem\/\" target=\"_blank\" rel=\"noopener\">exclusive trailer feature<\/a> captures the film\u2019s emphasis on its unnerving doll and provocative premise.<\/p>\n\n<figure class=\"is-provider-youtube is-type-video wp-block-embed wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Top 5 Horror Movies on Netflix \ud83d\ude31\ud83d\ude31\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/eV3sDNXJraI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Jeffrey_Dollmer_Release_Details_Cast_and_Story_at_a_Glance\"><\/span>Jeffrey Dollmer Release Details, Cast, and Story at a Glance<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">Uncork\u2019d Entertainment is set to release <strong>Jeffrey Dollmer digitally and on demand on November 3<\/strong>. The date places the film within the busy autumn horror season, when audiences are already seeking slashers, supernatural stories, and offbeat genre releases. A digital and on-demand launch also gives viewers a direct route to a film whose unusual premise is likely to travel through trailer clips and horror-community discussion.<\/p>\n\n<p class=\"wp-block-paragraph\">The release strategy fits the movie\u2019s compact, instantly communicable hook. A possessed dummy tied to Jeffrey Dahmer\u2019s spirit is the kind of premise that can be understood from a short trailer description, but the full feature has space to expand the origin story and follow the model and people around her. Rather than relying on a theatrical event to explain the appeal, the campaign can foreground the image of the toy and invite horror fans to decide whether its mix of slasher violence and supernatural terror fits their taste.<\/p>\n\n<p class=\"wp-block-paragraph\">For viewers tracking the key information, the film\u2019s main details can be organized without confusing its fictional plot with historical fact:<\/p>\n\n<figure class=\"wp-block-table\"><table>\n<thead>\n<tr>\n<th>Detail<\/th>\n<th>Information<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Title<\/td>\n<td><strong>Jeffrey Dollmer<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Director<\/td>\n<td>Mark Savage<\/td>\n<\/tr>\n<tr>\n<td>Distributor<\/td>\n<td>Uncork\u2019d Entertainment<\/td>\n<\/tr>\n<tr>\n<td>Release format<\/td>\n<td>Digital and on demand<\/td>\n<\/tr>\n<tr>\n<td>Release date<\/td>\n<td>November 3<\/td>\n<\/tr>\n<tr>\n<td>Central premise<\/td>\n<td>A spirit becomes attached to a ventriloquist dummy, which later targets a young model who resembles its former owner.<\/td>\n<\/tr>\n<tr>\n<td>Featured cast<\/td>\n<td>Charlie Trepany, Chey Crieger, Juliana Destefano, Adam Huss, Eva Hamilton, Mariah Justice, Scott Asmar, Jabarri Bush, Jane Xi, Tom Parnell, and Sean Michael Conway<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/figure>\n\n<p class=\"wp-block-paragraph\">The story\u2019s development can also be followed through a few defining turns, each of which changes what the doll means to the people who encounter it:<\/p>\n\n<ul class=\"wp-block-list\"><li><strong>The 1991 discovery:<\/strong> Dahmer finds the dummy and recognizes a resemblance between its features and his own, making it an unsettling object before the supernatural plot begins.<\/li><li><strong>The interrupted ritual:<\/strong> He attempts to transfer his spirit, but his capture leaves the plan unfinished and the doll behind.<\/li><li><strong>The evidence-room years:<\/strong> The dummy remains in police custody for decades, a period that delays its return without erasing the danger attached to it.<\/li><li><strong>The present-day return:<\/strong> After the toy is discarded, its spirit is accidentally summoned and attaches itself to a young model who resembles Dahmer.<\/li><li><strong>The slasher escalation:<\/strong> The doll\u2019s appearances lead to a string of killings, including an encounter involving campers in the forest.<\/li><\/ul>\n\n<p class=\"wp-block-paragraph\">That progression gives the marketing a clear narrative path, moving from discovery to attempted possession, disappearance, and renewed violence. Readers looking for additional release and genre context can consult this <a href=\"https:\/\/rue-morgue.com\/toying-with-serial-murder-in-jeffrey-dollmer-trailer-poster-release-info\/\" target=\"_blank\" rel=\"noopener\">report on the trailer and release details<\/a>, as well as this <a href=\"https:\/\/www.firstshowing.net\/2026\/wacky-evil-doll-horror-movie-jeffrey-dollmer-trailer\/\" target=\"_blank\" rel=\"noopener\">coverage of the film\u2019s unusual evil-doll angle<\/a>. The result is a horror release built around one unmistakable image: a small dummy carrying a story far more dangerous than its size suggests.<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>Jeffrey Dollmer Red-Band Trailer Reveals a Possessed Doll\u2019s Origin The red-band trailer for Jeffrey Dollmer opens on a macabre discovery: Jeffrey Dahmer comes across a ventriloquist dummy in a dumpster behind a chocolate factory. Its resemblance to him is hard to miss, and that uncanny likeness quickly becomes more than a visual joke. The trailer &#8230; <a title=\"\u2018Jeffrey Dollmer\u2019 Red-Band Trailer Unleashes a Possessed Doll in a Chilling New Horror Film\" class=\"read-more\" href=\"https:\/\/mybingemate.com\/news\/jeffrey-dollmer-possessed-doll\/\" aria-label=\"En savoir plus sur \u2018Jeffrey Dollmer\u2019 Red-Band Trailer Unleashes a Possessed Doll in a Chilling New Horror Film\">Lire plus<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-28021","post","type-post","status-publish","format-standard","hentry","category-movies","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-33"],"_links":{"self":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts\/28021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/comments?post=28021"}],"version-history":[{"count":0,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts\/28021\/revisions"}],"wp:attachment":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/media?parent=28021"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/categories?post=28021"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/tags?post=28021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}