{"id":28291,"date":"2026-11-06T13:10:32","date_gmt":"2026-11-06T12:10:32","guid":{"rendered":"https:\/\/mybingemate.com\/news\/rosamund-pike-body-horror\/"},"modified":"2026-11-06T13:10:32","modified_gmt":"2026-11-06T12:10:32","slug":"rosamund-pike-body-horror","status":"publish","type":"post","link":"https:\/\/mybingemate.com\/news\/rosamund-pike-body-horror\/","title":{"rendered":"After The Acolyte\u2019s Cancellation, Leslye Headland\u2019s Next Project Is a Body-Horror Film Starring Rosamund Pike"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_89 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #ffffff;color:#ffffff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #ffffff;color:#ffffff\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/mybingemate.com\/news\/rosamund-pike-body-horror\/#Rosamund_Pikes_Feed_Turns_Motherhood_and_Influencer_Culture_Into_Body_Horror\" >Rosamund Pike\u2019s Feed Turns Motherhood and Influencer Culture Into Body Horror<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/mybingemate.com\/news\/rosamund-pike-body-horror\/#Leslye_Headlands_Next_Project_After_The_Acolyte_Cancellation\" >Leslye Headland\u2019s Next Project After The Acolyte Cancellation<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/mybingemate.com\/news\/rosamund-pike-body-horror\/#How_Hatching_Inspires_the_Feed_Horror_Film\" >How Hatching Inspires the Feed Horror Film<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/mybingemate.com\/news\/rosamund-pike-body-horror\/#Rosamund_Pikes_Momfluencer_Role_and_the_Films_Themes\" >Rosamund Pike\u2019s Momfluencer Role and the Film\u2019s Themes<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/mybingemate.com\/news\/rosamund-pike-body-horror\/#Feeds_Film_Production_Creative_Team_and_What_Is_Known_So_Far\" >Feed\u2019s Film Production, Creative Team, and What Is Known So Far<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Rosamund_Pikes_Feed_Turns_Motherhood_and_Influencer_Culture_Into_Body_Horror\"><\/span>Rosamund Pike\u2019s Feed Turns Motherhood and Influencer Culture Into Body Horror<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">Following the <strong>television cancellation<\/strong> of <em>The Acolyte<\/em>, Leslye Headland is moving from a galaxy-spanning science fiction story to a more intimate kind of nightmare. Her next project is <em>Feed<\/em>, a body-horror film starring and produced by Rosamund Pike, built around the uneasy overlap between a parent\u2019s ambition and a child\u2019s online visibility.<\/p>\n\n<p class=\"wp-block-paragraph\">Pike plays Erin, a desperate mother who finds an obscure collagen supplement promising to help her tween daughter, a gymnast, become an influencer star. The fame and attention arrive quickly, but the apparent success comes with a sinister cost: as the girl goes viral, she undergoes a monstrous transformation. That setup makes the body itself more than a source of shocks; it becomes the place where the pressure to perform and the promise of reinvention take physical form.<\/p>\n\n<p class=\"wp-block-paragraph\">The premise draws on recognizable routines of online life. A parent might film a training session, select the most flattering clips, and turn a child\u2019s hobby into a public-facing identity. In <em>Feed<\/em>, the supplement offers a shortcut through that process, attaching the dream of digital success to a product meant to change the body. The horror grows from the possibility that a supposed improvement can become something neither mother nor daughter can control.<\/p>\n\n<p class=\"wp-block-paragraph\">That tension gives the story a pointed contemporary edge without requiring social media to be treated as a simple villain. Erin believes success could shield her daughter from a fickle world; her plan is frightening partly because it emerges from a recognizable form of parental anxiety. The internet rewards visibility one moment and discards it the next, while the promise of protection can blur into pressure. What happens when a mother\u2019s attempt to prepare her child for that environment becomes the danger itself?<\/p>\n\n<p class=\"wp-block-paragraph\">Trade coverage from <a href=\"https:\/\/variety.com\/2026\/film\/news\/rosamund-pike-feed-body-horror-movie-leslye-headland-1236940925\/\" target=\"_blank\" rel=\"noopener\">Variety\u2019s report on Pike joining <em>Feed<\/em><\/a> describes the project as a collaboration between the actor and filmmaker, with Pike also taking a producing role. That combination places her not only at the center of the performance but among the creative partners shaping the film\u2019s direction. The announcement has also been covered by <a href=\"https:\/\/www.indiewire.com\/news\/breaking-news\/rosamund-pike-starring-in-body-horror-film-star-wars-the-acolyte-creator-1235225857\/\" target=\"_blank\" rel=\"noopener\">IndieWire\u2019s entertainment news coverage<\/a>, connecting Headland\u2019s new horror work to her recent television chapter.<\/p>\n\n<p class=\"wp-block-paragraph\">For a viewer accustomed to polished influencer videos, the story\u2019s central contrast is easy to picture: the curated image promises control, while the body\u2019s transformation signals its collapse. That contrast is a natural fit for body horror, a mode that makes private fears visible through physical change. In <em>Feed<\/em>, the unsettling question is not simply whether Erin\u2019s daughter can become famous, but what the pursuit of that visibility might demand from her.<\/p>\n\n<p class=\"wp-block-paragraph\">At its core, the film\u2019s hook makes a digital aspiration tangible: online attention may be fleeting, but its consequences can reach far beyond the screen.<\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Leslye_Headlands_Next_Project_After_The_Acolyte_Cancellation\"><\/span>Leslye Headland\u2019s Next Project After The Acolyte Cancellation<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">For Headland, <em>Feed<\/em> marks a change in scale and genre rather than a retreat from ambitious storytelling. <em>The Acolyte<\/em> placed her within the vast <em>Star Wars<\/em> universe, where a creator must work inside an established science fiction mythology and address an audience with deep expectations. The new horror film turns toward a contained family story, but it still gives her room to examine systems of power\u2014this time through online visibility, beauty culture, and parental influence.<\/p>\n\n<p class=\"wp-block-paragraph\">The television cancellation of <em>The Acolyte<\/em> provides a natural point of comparison, though it does not define the film\u2019s premise. A cancelled series and a feature film occupy different parts of the entertainment business: one depends on an ongoing platform commitment, while the other advances through a distinct film production process. <em>Feed<\/em> is therefore best understood as Headland\u2019s next creative project, not as a direct response to the series ending.<\/p>\n\n<p class=\"wp-block-paragraph\">Headland has moved across genres before. Her credits include the comedy <em>Bachelorette<\/em>, the romantic comedy <em>Sleeping with Other People<\/em>, and the television series <em>Russian Doll<\/em>, alongside her work on <em>The Acolyte<\/em>. That range matters because the new film\u2019s subject requires more than frightening imagery. A story about a mother managing her child\u2019s public image needs social observation, emotional tension, and a grasp of how everyday behavior can turn unsettling.<\/p>\n\n<p class=\"wp-block-paragraph\">Headland has praised Daniella Isaacs\u2019 screenplay as audacious, disturbing, and deeply human, and described Pike as one of the boldest actors working today. Her comments frame the project as a partnership between a writer\u2019s unusual premise and a performer willing to inhabit its discomfort. That emphasis on character is significant: body horror can easily become an exercise in escalating spectacle, but the mother-daughter relationship gives the grotesque developments an emotional anchor.<\/p>\n\n<p class=\"wp-block-paragraph\">The production\u2019s reported inspiration, the Finnish film <em>Hatching<\/em>, also places the project in conversation with international horror rather than only with familiar studio formulas. The 2022 film, directed by Hanna Bergholm and written by Ilja Rautsi, stars Siiri Solalinna, Sophia Heikkil\u00e4, and Jani Volanen. Its Rotten Tomatoes approval rating is reported at 92 percent, a strong indicator of the positive critical reception noted in the supplied coverage, though ratings are only one measure of a film\u2019s impact.<\/p>\n\n<p class=\"wp-block-paragraph\">Headland\u2019s shift from a large franchise to a story about a family and a supplement offers a different kind of creative freedom. Instead of building outward through a cosmic mythology, <em>Feed<\/em> can concentrate its unease within a household, a training routine, and the image a parent wants the world to see.<\/p>\n\n<figure class=\"is-provider-youtube is-type-video wp-block-embed wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Her Private Hell Trailer #1 (2026)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/adruBLjR0FU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<p class=\"wp-block-paragraph\">The transition is less a break with Headland\u2019s previous work than a move into a new frame: from the scale of a franchise to the intimate pressure of a family\u2019s digital life.<\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"How_Hatching_Inspires_the_Feed_Horror_Film\"><\/span>How Hatching Inspires the Feed Horror Film<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\"><em>Feed<\/em> draws inspiration from <em>Hatching<\/em>, the 2022 Finnish horror film directed by Hanna Bergholm and written by Ilja Rautsi. That connection offers a useful clue to the new project\u2019s creative lineage, while leaving room for Headland and screenwriter Daniella Isaacs to make a distinct film. <em>Hatching<\/em> stars Siiri Solalinna, Sophia Heikkil\u00e4, and Jani Volanen, and its reported 92 percent Rotten Tomatoes approval rating suggests it resonated with critics who responded to its blend of bodily unease and domestic tension.<\/p>\n\n<p class=\"wp-block-paragraph\">In body horror, physical change can externalize pressures that characters struggle to name. A transformation may evoke shame, fear, adolescence, control, or the demand to meet an ideal. When that change unfolds inside a family story, it can also expose how affection and authority become tangled: a parent may believe a choice is protective even as a child experiences it as coercive.<\/p>\n\n<p class=\"wp-block-paragraph\">The supplied premise for <em>Feed<\/em> has its own specific engine. Erin encounters a supplement marketed as a route to fame for her tween gymnast daughter, and success follows with alarming speed. The premise does not just put a strange product in the plot; it links bodily alteration to a culture that packages improvement as a purchase. The substance appears to offer a solution to the uncertainty of becoming visible online, but the ensuing transformation suggests that shortcuts have consequences beyond the promotional promise.<\/p>\n\n<p class=\"wp-block-paragraph\">That distinction is important when discussing inspiration. <em>Feed<\/em> is not described as a scene-for-scene remake of <em>Hatching<\/em>; the available information identifies it as a project drawing from the earlier film. Its central characters, social-media focus, and supplement-driven story give it a separate framework. The creative challenge will be to preserve the emotional specificity of Erin\u2019s choices while developing a visual language that can make the transformation disturbing rather than merely sensational.<\/p>\n\n<p class=\"wp-block-paragraph\">Pike has said she wanted to make a film that could play anarchically with society\u2019s fixation on social media and self-improvement, the appetite for fame without an admirable skill, and what she calls the monstrosity of modern motherhood. The frankness of that framing points toward satire as well as horror. A product claiming to improve a child\u2019s prospects can sound absurd, yet it also resembles the persuasive language of real wellness marketing, where aspiration and anxiety are often sold together.<\/p>\n\n<p class=\"wp-block-paragraph\">Those ideas connect <em>Feed<\/em> to a broad range of contemporary genre storytelling. Readers following the wider horror landscape can explore coverage of a <a href=\"https:\/\/mybingemate.com\/news\/lily-gladstone-horror-western\/\">horror western featuring Lily Gladstone<\/a> or a <a href=\"https:\/\/mybingemate.com\/news\/reedus-quaid-sci-fi-horror\/\">science-fiction horror project with Norman Reedus and Dennis Quaid<\/a>. Those examples signal how horror can absorb other genres while keeping its focus on fear, vulnerability, and transformation.<\/p>\n\n<p class=\"wp-block-paragraph\">The link to <em>Hatching<\/em> is therefore most revealing as a tonal reference: both projects use physical unease to make private family pressures impossible to ignore.<\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Rosamund_Pikes_Momfluencer_Role_and_the_Films_Themes\"><\/span>Rosamund Pike\u2019s Momfluencer Role and the Film\u2019s Themes<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">Rosamund Pike\u2019s casting makes Erin\u2019s contradictions central to the film\u2019s appeal. The character is described as a mother determined to secure her daughter\u2019s domination of the digital space, yet Pike\u2019s remarks suggest that Erin views this ambition as a form of protection. She believes popularity could help her child withstand a fickle world. The gap between that conviction and the monstrous consequences is where the role can find its emotional tension.<\/p>\n\n<p class=\"wp-block-paragraph\">Pike is known to audiences for performances in projects including <em>Gone Girl<\/em> and <em>I Care a Lot<\/em>, both of which place complicated women at the center of sharply observed stories. That history does not predetermine how she will play Erin, but it helps explain why the part has attracted attention. A character who can be loving, calculating, frightened, and self-justifying needs an actor able to hold conflicting impulses in the same scene.<\/p>\n\n<p class=\"wp-block-paragraph\">Her comments about wanting to explore the \u201cmonstrosity\u201d of modern motherhood suggest a deliberately provocative approach. The phrase need not mean that motherhood itself is monstrous; rather, it points toward the pressures and expectations surrounding parenting. Online culture can turn children into projects, with milestones, training sessions, and images evaluated by strangers. The parent\u2019s choices may be presented as care, while the demands placed on the child begin to resemble a performance contract.<\/p>\n\n<p class=\"wp-block-paragraph\">Imagine a gymnast\u2019s family posting a short clip after practice. At first, the video might celebrate effort; later, its views could shape which routines are filmed, what products are considered, or how a child\u2019s appearance is discussed. <em>Feed<\/em> intensifies that familiar dynamic through an obscure collagen supplement and a physical transformation. The fantastical element makes the story more frightening, but its foundation is the ordinary decision to make a child\u2019s private life part of a public brand.<\/p>\n\n<p class=\"wp-block-paragraph\">Pike will also produce the film, giving her a role beyond the central performance. Her statement about the project emphasizes its interest in fame, self-improvement, and digital obsession, while Headland has expressed admiration for both Pike and Isaacs. Their partnership suggests that the film\u2019s provocation is intentional: the story wants viewers to consider whether Erin\u2019s plan is simply reckless or whether it reflects a culture that regularly encourages people to treat visibility as security.<\/p>\n\n<p class=\"wp-block-paragraph\">The daughter\u2019s transformation also complicates the usual language of success. Going viral can look like a win when measured in views, sponsorships, or public recognition, but the story asks what those measures conceal. A child can become famous while losing control over the image that made her popular. In that sense, the horror is not only what happens to her body; it is the possibility that her identity becomes a product other people manage.<\/p>\n\n<p class=\"wp-block-paragraph\">For further genre context, <a href=\"https:\/\/mybingemate.com\/news\/addict-bathroom-horror\/\">this coverage of a bathroom-set horror story<\/a> offers another example of everyday spaces becoming sites of genre unease. <em>Feed<\/em> similarly starts from familiar pressures and turns them into a more extreme, physical nightmare.<\/p>\n\n<p class=\"wp-block-paragraph\">Erin\u2019s defining conflict is the belief that exposure can protect her daughter, even as the pursuit of attention threatens to take that protection away.<\/p>\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Feeds_Film_Production_Creative_Team_and_What_Is_Known_So_Far\"><\/span>Feed\u2019s Film Production, Creative Team, and What Is Known So Far<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n<p class=\"wp-block-paragraph\">The reported creative team places <em>Feed<\/em> at the meeting point of performance, writing, and direction. Headland is attached to direct, Isaacs wrote the screenplay, and Pike is set to star and produce. Headland has characterized Isaacs\u2019 script as audacious, disturbing, and deeply human, while also praising Pike\u2019s boldness as a performer. Together, those descriptions suggest a production aiming for more than a high-concept premise: its emotional credibility will matter as much as its physical horror.<\/p>\n\n<p class=\"wp-block-paragraph\">As of the available reporting, <em>Feed<\/em> does not have a release date. That distinction is worth keeping clear amid fast-moving entertainment news, where an announcement about casting or sales can sometimes be mistaken for a finished production schedule. Reports around the project have connected it with an American Film Market sales push, but that does not establish when audiences will see the completed movie.<\/p>\n\n<p class=\"wp-block-paragraph\">For now, the most concrete details are its principal creative roles and story outline. Erin\u2019s supplement-driven plan, her daughter\u2019s gymnastics, the rapid rise in online attention, and the ensuing transformation give the film a clear narrative framework. Production details such as additional casting, filming dates, and distribution arrangements remain separate questions rather than facts that can be inferred from the announcement.<\/p>\n\n<figure class=\"wp-block-table\"><table>\n<thead>\n<tr>\n<th>Project detail<\/th>\n<th>What has been reported<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Title<\/td>\n<td><em>Feed<\/em><\/td>\n<\/tr>\n<tr>\n<td>Director<\/td>\n<td>Leslye Headland<\/td>\n<\/tr>\n<tr>\n<td>Screenwriter<\/td>\n<td>Daniella Isaacs<\/td>\n<\/tr>\n<tr>\n<td>Lead and producer<\/td>\n<td>Rosamund Pike<\/td>\n<\/tr>\n<tr>\n<td>Story focus<\/td>\n<td>A mother, her tween gymnast daughter, influencer ambition, and a collagen supplement<\/td>\n<\/tr>\n<tr>\n<td>Release date<\/td>\n<td>Not announced in the available reporting<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/figure>\n\n<p class=\"wp-block-paragraph\">This snapshot separates confirmed elements from speculation. In particular, the film\u2019s inspiration from <em>Hatching<\/em> offers a creative reference, not proof that the projects share a plot or that <em>Feed<\/em> will reproduce the earlier film\u2019s tone. Likewise, the absence of a release date does not indicate a delay; it simply means that a public date has not been provided in the information at hand.<\/p>\n\n<p class=\"wp-block-paragraph\">Several questions will shape how the finished movie feels: how closely it follows Erin\u2019s perspective, how it depicts the daughter\u2019s changing body, and whether its satire targets influencer culture, wellness marketing, parental pressure, or all three. The premise can support all those angles, but the balance will be determined by the performances and visual choices made during film production.<\/p>\n\n<p class=\"wp-block-paragraph\">Readers tracking the project can compare reports from <a href=\"https:\/\/deadline.com\/2026\/11\/rosamund-pike-star-produce-feed-leslye-headland-sales-afm-1237215121\/\" target=\"_blank\" rel=\"noopener\">Deadline\u2019s coverage of Pike\u2019s role and the sales activity<\/a> with the earlier announcement summarized by <a href=\"https:\/\/newsable.asianetnews.com\/entertainment\/rosamund-pike-to-star-and-produce-body-horror-film-feed-by-headland-articleshow-5gpdkfm\" target=\"_blank\" rel=\"noopener\">Newsable\u2019s report on the body-horror project<\/a>. Those links provide a route to the reported details without turning unannounced production plans into certainty.<\/p>\n\n<figure class=\"is-provider-youtube is-type-video wp-block-embed wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"AFTER THE SILENCE Official Trailer (2026)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/chnqEPkHWBQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<p class=\"wp-block-paragraph\">Until a release date or further production details emerge, the clearest measure of <em>Feed<\/em> is its distinctive creative combination: Headland\u2019s direction, Isaacs\u2019 screenplay, and Pike\u2019s dual role as star and producer.<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>Rosamund Pike\u2019s Feed Turns Motherhood and Influencer Culture Into Body Horror Following the television cancellation of The Acolyte, Leslye Headland is moving from a galaxy-spanning science fiction story to a more intimate kind of nightmare. Her next project is Feed, a body-horror film starring and produced by Rosamund Pike, built around the uneasy overlap between &#8230; <a title=\"After The Acolyte\u2019s Cancellation, Leslye Headland\u2019s Next Project Is a Body-Horror Film Starring Rosamund Pike\" class=\"read-more\" href=\"https:\/\/mybingemate.com\/news\/rosamund-pike-body-horror\/\" aria-label=\"En savoir plus sur After The Acolyte\u2019s Cancellation, Leslye Headland\u2019s Next Project Is a Body-Horror Film Starring Rosamund Pike\">Lire plus<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-28291","post","type-post","status-publish","format-standard","hentry","category-movies","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-33"],"_links":{"self":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts\/28291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/comments?post=28291"}],"version-history":[{"count":0,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/posts\/28291\/revisions"}],"wp:attachment":[{"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/media?parent=28291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/categories?post=28291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mybingemate.com\/news\/wp-json\/wp\/v2\/tags?post=28291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}